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Bøker Bok 110 av 40Nicolini exposed to a tempest in robes of ermine, and sailing in an open boat upon...
" Nicolini exposed to a tempest in robes of ermine, and sailing in an open boat upon a sea of pasteboard ? What a field of raillery would they have been let into, had they been entertained with painted dragons spitting wildfire, enchanted chariots drawn... "
History of the opera - Side 62
av Henry Sutherland Edwards - 1862
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Select British Classics, Volum 11

1803
...of ermine, and sailing in an open boat upon a sea of pasteboard? What a field of raillery would they have been let into, had they been entertained with...by Flanders mares, and real cascades in artificial landskips ? A little skill in criticism would inform us, that shadows and realities ought not to be...
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The Spectator ...

Joseph Addison, Sir Richard Steele - 1803
...ermine, and sailing in an open boat upon a sea of pasteboard ? What a field of raillery would they have been let into, had they been entertained with...Flanders - mares, and real cascades in artificial landskips ? A little skill in criticism would inform us, that shadows and realities ought not to be...
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Selections from the Spectator, Tatler, Guardian, and Freeholder: Selections ...

Joseph Addison, Sir Richard Steele - 1804
...sailing in an open boat upon a sea of pasteboard ! What a field of raillery would they have been led into, had they been entertained with painted dragons...cascades in artificial landscapes ! A little skill in eriticism would inform us, that shadows and rea-. lities ought not to be mixed together in the same...
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The Spectator [by J. Addison and others]; with notes, and a general index

Spectator The - 1811
...been entertained with painted dragona spitting wild-tire, enchanted chariots drawn by Flanders marcs, and real cascades in artificial landscapes : A little skill in criticism would inform us, that sh ido«s and realities ought not lo be mixed together in Ihe same piece ; and thai the scenes which...
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The Spectator: With Notes, and a General Index. The Eight Volumes Comprised ...

1822 - 771 sider
...of raillery would they have been led into, had thev been entertained with painted dragons spittinfj ompassion ; when I see the tomb of the parents themselves,...grieving for those whom we must quickly follow. When 1 us/that shadows and realities ought not to be mixed together in the same piece ; and that the scenes...
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The Spectator: With Sketches of the Lives of the Authors, an Index ..., Volum 1

Joseph Addison, Sir Richard Steele - 1824
...raillery would they have been led into, had they been entertained with painted dragons spitting wild fire, enchanted chariots drawn by Flanders mares, and real...not to be mixed together in the same piece; and that tie scenes which are designed as the representations of nature, should be filled with resemblances,...
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Memoirs of the Musical Drama, Volum 1

George Hogarth - 1838 - 464 sider
...ermine, and sailing in an open boat upon a sea of pasteboard ! What a field of raillery would they have been let into, had they been entertained with...landscapes ! A little skill in criticism would inform things themselves. If one would represent a wide champaign country filled with herds and flocks, it...
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The Spectator

Joseph Addison - 1856
...ermine, and sailing in an open boat upon a sea of pasteboard .' What a field of raillery would they have been let into, had they been entertained with...mares, and real cascades in artificial landscapes IA little skill in criticism would inform us, that shadows and realities ought not to be mixed together...
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The Spectator [by J. Addison and others].

Spectator The - 1857
...an open boat upon a sea of pasteboard ? What & field of raillery would they have been led into, bad d among the shadows of pomp and greatness, he may...place J In the mean time, since it is necessary, in tlj.it shadows and realities ought not to be mixed together in the same piece ; and that the scenes...
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The North American Review, Volum 125

Jared Sparks, Edward Everett, James Russell Lowell, Henry Cabot Lodge - 1877
...requires that there shall be nothing in the scenes and machinery which may appear childish or absurd. A little skill in criticism would inform us that shadows...piece, and that the scenes which are designed as the representation of nature should be filled with the resemblance and not with the things themselves....
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