The national obstacle to the national public style considered. Observations on the probable decline or extinction of British historical painting, from the effects of the Church exclusion of paintings [by W.P. Carey]. By W. Carey |
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Side 56
Ye generous Youths ! by Nature ' s bounty graced ; Whose throbbing hearts have
heard the call of Taste , With honest ardour in the lists of Fame , Risk every hope ,
and rival every claim . What though the age on Art unfriendly lowers !
Ye generous Youths ! by Nature ' s bounty graced ; Whose throbbing hearts have
heard the call of Taste , With honest ardour in the lists of Fame , Risk every hope ,
and rival every claim . What though the age on Art unfriendly lowers !
Side 77
regret and surprise , the desertion of the spacious exhibition rooms built by the
filial reverence of his sons , for the fame of their deceased parent , with an honest
reliance on a liberal support in their laudable efforts to meet the expectations of ...
regret and surprise , the desertion of the spacious exhibition rooms built by the
filial reverence of his sons , for the fame of their deceased parent , with an honest
reliance on a liberal support in their laudable efforts to meet the expectations of ...
Side 111
... fame of Hogarth ' s genius : even if all his works were destroyed , their fame ,
like that of the Grecian painters , whose pictures have perished so many ages
ago , would live for ever in contemporary records . SIR JOHN FLEMING
LEICESTER ...
... fame of Hogarth ' s genius : even if all his works were destroyed , their fame ,
like that of the Grecian painters , whose pictures have perished so many ages
ago , would live for ever in contemporary records . SIR JOHN FLEMING
LEICESTER ...
Side 120
A testimony to his fame which can never be obliterated or forgotten . After having
recapitulated the bigh estimate of Prince Hoare , of Sir Henry Raeburn , of Mr .
Shee , and of the British Institution , we shall recapitulate some points from the ...
A testimony to his fame which can never be obliterated or forgotten . After having
recapitulated the bigh estimate of Prince Hoare , of Sir Henry Raeburn , of Mr .
Shee , and of the British Institution , we shall recapitulate some points from the ...
Side 124
Besides these twenty - seven annual elections by the Royal Academicians of
England , we have to recapitulate , that the sight of his pictures by foreign artists
and amateurs on their travels in England , and the fame of his genius spread
abroad ...
Besides these twenty - seven annual elections by the Royal Academicians of
England , we have to recapitulate , that the sight of his pictures by foreign artists
and amateurs on their travels in England , and the fame of his genius spread
abroad ...
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The National Obstacle to the National Public Style Considered. Observations ... William Paulet Carey Ingen forhåndsvisning tilgjengelig - 2016 |
Vanlige uttrykk og setninger
acquired admirable advancement ancient arts body British artists British genius British historical British Institution British School cause character church exclusion circumstances collection commission compositions Continent death domestic style effect elected elevated empire employed encouraged England example excellence exertions exhibition fact fame fancy feeling field foreign formed fortune gallery genius glory Government grand Greece head highest historical painting historical pictures honour hope House important impression interests Italy King late liberal living London Majesty masters means ment mentioned merits mind moral national gallery national obstacle nature never noble object observations obtained opinion painter painting and sculpture patron patronage pencil period portrait possession powers practice present President pride produced professional public style purchased reason respect Reynolds Royal Academy Sir Joshua spirit subjects taste tion West West's young
Populære avsnitt
Side 36 - As for the various departments of painting, which do not presume to make such high pretensions, they are many. None of them are without their merit, though none enter into competition with this universal presiding idea of the art.
Side 36 - ... the expression of those passions, as they appear in general and more enlarged nature. This principle may be applied to the Battle-pieces of Bourgognone, the French Gallantries of Watteau, and even beyond the exhibition of animal life, to the Landscapes of Claude Lorraine, and the Sea- Views of Vandervelde.
Side 9 - ... for black and white ; who being very poor, and belike wanting to buy fairer colours, wrought therefore for the most part in white and black ; and growing yet poorer by charge of children, &c. gave painting clean over : but being a very fair-conditioned, zealous, and godly person...
Side 95 - Angelo, men of acknowledged great abilities, should never have thought of transferring a little of that grandeur of outline which they could not but see and admire in Ancient Sculpture, into their own works; but they appear to have considered Sculpture as the later Schools of Artists look at...
Side 39 - Invention in Painting does not imply the invention of the subject ; for that is commonly supplied by the Poet or Historian. With respect to the choice, no subject can be proper that is not generally interesting. It ought to be either some eminent instance of heroick action, or heroick suffering.
Side 98 - Greece and modern Italy, was produced not by fortuitous circumstances, but by great and splendid patronage, and persuaded that our own countrymen are capable of the same excellence in the Arts, as they have attained in every branch of science and literature, we solicit that they may be encouraged to consider those excellent and immortal examples of the Grecian and Italian Schools, as the objects not merely of imitation but of competition. In a country where native energy is most abundant, we ask...
Side 45 - such a body of just criticism on an extremely difficult subject, clothed in such perspicuous, elegant, and nervous language, that it is no exaggerated panegyric to assert that it will last as long as the English tongue, and contribute, not less than the productions of his pencil, to render his name immortal.
Side 24 - Elzheimcr, resembled the last most in his fate, lived and died nearer to indigence than ease ; and as an asylum from the severest wants incident to age and decay of powers, was reduced to solicit the Librarian's place in the Academy, of which he was one of the brightest ornaments.
Side 36 - The painters who have applied themselves more particularly to low and vulgar characters, and who express with precision the various shades of passion, as they are exhibited by vulgar minds (such as we see in the works of Hogarth) deserve great praise; but as their genius has been employed on low and confined subjects, the praise that we give must be as limited as its object.
Bibliografisk informasjon
| Tittel | The national obstacle to the national public style considered. Observations on the probable decline or extinction of British historical painting, from the effects of the Church exclusion of paintings [by W.P. Carey]. By W. Carey |
| Forfatter | William Paulet Carey |
| distribuert | 1825 |
| Original fra | Oxford University |
| Digitalisert | 1. des 2006 |
| Eksporter sitat | BiBTeX EndNote RefMan |