The national obstacle to the national public style considered. Observations on the probable decline or extinction of British historical painting, from the effects of the Church exclusion of paintings [by W.P. Carey]. By W. CareyHowlett & Brimmer, 1825 - 151 sider |
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... glory of the nation , and with every thing that dignifies and ennobles man in his individual capacity , he deemed it consistent with the principles which a great nation ought to adopt , to stand forward as the Patron of the Arts , and ...
... glory of the nation , and with every thing that dignifies and ennobles man in his individual capacity , he deemed it consistent with the principles which a great nation ought to adopt , to stand forward as the Patron of the Arts , and ...
Side 2
... glory of the British Empire . A mighty and long existing cause , alone , could have produced an effect so dis- tressing and discouraging to British Students , and so likely to be converted into a lasting imputation upon the taste of the ...
... glory of the British Empire . A mighty and long existing cause , alone , could have produced an effect so dis- tressing and discouraging to British Students , and so likely to be converted into a lasting imputation upon the taste of the ...
Side 7
... glory in that country . Thus the whole frame of government , the system of edu cation , and the public institutions , which are the only com- petent source and support of the public or historical style , became , in this country , the ...
... glory in that country . Thus the whole frame of government , the system of edu cation , and the public institutions , which are the only com- petent source and support of the public or historical style , became , in this country , the ...
Side 18
... glory in this country ; for Reynolds , Wilson and Gainsbo- rough had advanced to their highest excellence in that style . But it is an incontrovertible truth , that they failed to call forth any public feeling for British history ...
... glory in this country ; for Reynolds , Wilson and Gainsbo- rough had advanced to their highest excellence in that style . But it is an incontrovertible truth , that they failed to call forth any public feeling for British history ...
Side 23
... glory . We have already observed , that GAINSBOROUGH was in the flower of his life , and professional excellence , from 1760 to 1768. He painted a series of his very finest pic- tures during that period . Many of them by their beauties ...
... glory . We have already observed , that GAINSBOROUGH was in the flower of his life , and professional excellence , from 1760 to 1768. He painted a series of his very finest pic- tures during that period . Many of them by their beauties ...
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The National Obstacle to the National Public Style Considered. Observations ... William Paulet Carey Ingen forhåndsvisning tilgjengelig - 2016 |
Vanlige uttrykk og setninger
Academy of painting admirable Agrippina ancient arts Barry Benjamin West BOSSAM British artists British empire British genius British historical painting British Institution British School Christ Healing church exclusion Clare Market commission to paint compositions contemporary Continent department of painting domestic style Edward VI elected elevated Elgin Marbles eminent England excellence exclusion of painting exclusion of pictures exertions exhibition fact fame fancy favour feeling foreign Gainsborough Government grand style Greece Haydon Healing the Sick high department highest department historical pictures Hogarth honour hope Italy King liberal masters ment merits Michael Angelo mind national gallery national glory national obstacle noble opinion painter painting and sculpture patriotic patron Phidias pictures from churches portrait painting possession powers pride Prince Hoare prizes produced professional public patronage public spirit public style public taste purchased Raphael reign Royal Academy sacred Sir Joshua Reynolds Sir Thomas Lawrence subjects sublime tion tures unsold West West's Windsor Castle
Populære avsnitt
Side 36 - As for the various departments of painting, which do not presume to make such high pretensions, they are many. None of them are without their merit, though none enter into competition with this universal presiding idea of the art.
Side 36 - ... the expression of those passions, as they appear in general and more enlarged nature. This principle may be applied to the Battle-pieces of Bourgognone, the French Gallantries of Watteau, and even beyond the exhibition of animal life, to the Landscapes of Claude Lorraine, and the Sea- Views of Vandervelde.
Side 9 - ... for black and white ; who being very poor, and belike wanting to buy fairer colours, wrought therefore for the most part in white and black ; and growing yet poorer by charge of children, &c. gave painting clean over : but being a very fair-conditioned, zealous, and godly person...
Side 95 - Angelo, men of acknowledged great abilities, should never have thought of transferring a little of that grandeur of outline which they could not but see and admire in Ancient Sculpture, into their own works; but they appear to have considered Sculpture as the later Schools of Artists look at...
Side 39 - Invention in Painting does not imply the invention of the subject ; for that is commonly supplied by the Poet or Historian. With respect to the choice, no subject can be proper that is not generally interesting. It ought to be either some eminent instance of heroick action, or heroick suffering.
Side 98 - Greece and modern Italy, was produced not by fortuitous circumstances, but by great and splendid patronage, and persuaded that our own countrymen are capable of the same excellence in the Arts, as they have attained in every branch of science and literature, we solicit that they may be encouraged to consider those excellent and immortal examples of the Grecian and Italian Schools, as the objects not merely of imitation but of competition. In a country where native energy is most abundant, we ask...
Side 45 - such a body of just criticism on an extremely difficult subject, clothed in such perspicuous, elegant, and nervous language, that it is no exaggerated panegyric to assert that it will last as long as the English tongue, and contribute, not less than the productions of his pencil, to render his name immortal.
Side 24 - Elzheimcr, resembled the last most in his fate, lived and died nearer to indigence than ease ; and as an asylum from the severest wants incident to age and decay of powers, was reduced to solicit the Librarian's place in the Academy, of which he was one of the brightest ornaments.
Side 36 - The painters who have applied themselves more particularly to low and vulgar characters, and who express with precision the various shades of passion, as they are exhibited by vulgar minds (such as we see in the works of Hogarth) deserve great praise; but as their genius has been employed on low and confined subjects, the praise that we give must be as limited as its object.