Taking the Stage: Self Development Through Dramatic ArtPitman Publishing Corporation, 1939 - 339 sider |
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Side 112
... acting , but it is enough to suggest that this art , through Thes- pis , was responsible for the establishing of what has become our legitimate theatre . Also , it was the solo actor who kept some form of theatrical entertainment alive ...
... acting , but it is enough to suggest that this art , through Thes- pis , was responsible for the establishing of what has become our legitimate theatre . Also , it was the solo actor who kept some form of theatrical entertainment alive ...
Side 113
... acting technique in sharing dramatic experience with an audience . This use of acting technique suggests the terms " mono - actor " and " mono - theatre . " " Mono - theatre " as used in the following chapters is dramatic forms of ...
... acting technique in sharing dramatic experience with an audience . This use of acting technique suggests the terms " mono - actor " and " mono - theatre . " " Mono - theatre " as used in the following chapters is dramatic forms of ...
Side 114
... Acting The mono - actor may employ one of two acting styles . The first is called representational . Action is carried on as though the fourth wall of the stage room actually were in place and the audience did not exist . ( Actually the ...
... Acting The mono - actor may employ one of two acting styles . The first is called representational . Action is carried on as though the fourth wall of the stage room actually were in place and the audience did not exist . ( Actually the ...
Innhold
BROADENING THE FRONTIERS OF DRAMATIC ART | 3 |
EXPRESSION AND ITS FORMS | 9 |
EXPRESSIONRHYTHMIC AND BALANCED | 13 |
Opphavsrett | |
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accent acting action activity actor American Assimilation attack audience behavior Benvenuto body breath CHAPTER character characteristic characterization chest climax Cockney color consonant Cornelia Otis Skinner create D.PR dialect diphthong dominant pitch dramatic art effect emotional emphasis English example experience expression expressional feel French German gesture give glide glottis Gullah hard palate Haverstraw imagination imitation impersonation individual inflection interpreter intonation Irish larynx lips listen means mental mind mono-actor mono-theatre monodrama monothong mood movement muscles musical reading nasal pattern person phrases play reading poem poetry poise practice pronunciation reveal rhythm rhythmical Russian scene sense sentence sketch soft palate speak speaker speech stage story stress student suggest syllable Table of Consonant TABLE OF VOWEL teeth tell tempo tend tense thought timbre tion tone tongue triphthongs umlaut unvoiced utterance uvula values variations visual vocal voice vowel sounds weez words York