Taking the Stage: Self Development Through Dramatic ArtPitman Publishing Corporation, 1939 - 339 sider |
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Side 104
... character organizes his rushing about so that it assumes the pattern of a frenzied hunt for something , then ... CHARACTER ANALYSIS . The best method of character analysis is to determine wherein the character differs from every other ...
... character organizes his rushing about so that it assumes the pattern of a frenzied hunt for something , then ... CHARACTER ANALYSIS . The best method of character analysis is to determine wherein the character differs from every other ...
Side 120
... character is justified in feeling a given mood . When an audience knows why a character is in a mood it better under- stands and appreciates that character's subsequent actions . Imagine a scene wherein a young girl expresses active ...
... character is justified in feeling a given mood . When an audience knows why a character is in a mood it better under- stands and appreciates that character's subsequent actions . Imagine a scene wherein a young girl expresses active ...
Side 146
... character . Development expands these details ; for , up to a certain point , the more an audience learns of character and situation , the more inter- ested it becomes . The climax follows with dramatic impact . Climax resolves the ...
... character . Development expands these details ; for , up to a certain point , the more an audience learns of character and situation , the more inter- ested it becomes . The climax follows with dramatic impact . Climax resolves the ...
Innhold
BROADENING THE FRONTIERS OF DRAMATIC ART | 3 |
EXPRESSION AND ITS FORMS | 9 |
EXPRESSIONRHYTHMIC AND BALANCED | 13 |
Opphavsrett | |
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accent acting action activity actor American Assimilation attack audience behavior Benvenuto body breath CHAPTER character characteristic characterization chest climax Cockney color consonant Cornelia Otis Skinner create D.PR dialect diphthong dominant pitch dramatic art effect emotional emphasis English example experience expression expressional feel French German gesture give glide glottis Gullah hard palate Haverstraw imagination imitation impersonation individual inflection interpreter intonation Irish larynx lips listen means mental mind mono-actor mono-theatre monodrama monothong mood movement muscles musical reading nasal pattern person phrases play reading poem poetry poise practice pronunciation reveal rhythm rhythmical Russian scene sense sentence sketch soft palate speak speaker speech stage story stress student suggest syllable Table of Consonant TABLE OF VOWEL teeth tell tempo tend tense thought timbre tion tone tongue triphthongs umlaut unvoiced utterance uvula values variations visual vocal voice vowel sounds weez words York