Taking the Stage: Self Development Through Dramatic ArtPitman Publishing Corporation, 1939 - 339 sider |
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Side 20
... given task . Such a person refrains from overloading his powers and thus causing confusion ; he tries to absorb only as much of a given experience as can easily be assimilated and related to his needs . Balance is the key word in poise ...
... given task . Such a person refrains from overloading his powers and thus causing confusion ; he tries to absorb only as much of a given experience as can easily be assimilated and related to his needs . Balance is the key word in poise ...
Side 63
... given task . Many people seek escape from feelings of inferiority , or long- standing worries , through intensive application to work . Such in- dividuals are not particularly given to talk . Again , they have such deep emotional ...
... given task . Many people seek escape from feelings of inferiority , or long- standing worries , through intensive application to work . Such in- dividuals are not particularly given to talk . Again , they have such deep emotional ...
Side 205
... given dialect . 3. Catch the quality which stamps native voice textures . 4. Keep to the practice of only one element at a time . It is too mechanical a process merely to memorize lists of words ; such a process produces only ...
... given dialect . 3. Catch the quality which stamps native voice textures . 4. Keep to the practice of only one element at a time . It is too mechanical a process merely to memorize lists of words ; such a process produces only ...
Innhold
BROADENING THE FRONTIERS OF DRAMATIC ART | 3 |
EXPRESSION AND ITS FORMS | 9 |
EXPRESSIONRHYTHMIC AND BALANCED | 13 |
Opphavsrett | |
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accent acting action activity actor American Assimilation attack audience behavior Benvenuto body breath CHAPTER character characteristic characterization chest climax Cockney color consonant Cornelia Otis Skinner create D.PR dialect diphthong dominant pitch dramatic art effect emotional emphasis English example experience expression expressional feel French German gesture give glide glottis Gullah hard palate Haverstraw imagination imitation impersonation individual inflection interpreter intonation Irish larynx lips listen means mental mind mono-actor mono-theatre monodrama monothong mood movement muscles musical reading nasal pattern person phrases play reading poem poetry poise practice pronunciation reveal rhythm rhythmical Russian scene sense sentence sketch soft palate speak speaker speech stage story stress student suggest syllable Table of Consonant TABLE OF VOWEL teeth tell tempo tend tense thought timbre tion tone tongue triphthongs umlaut unvoiced utterance uvula values variations visual vocal voice vowel sounds weez words York