Taking the Stage: Self Development Through Dramatic ArtPitman Publishing Corporation, 1939 - 339 sider |
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Side 55
... head from its middle just behind the ears . To picture this , imagine a fork supporting an apple from the base of its core . The next spinal curve is backward , for it is next engaged in carrying the weight of the chest , whose ribs are ...
... head from its middle just behind the ears . To picture this , imagine a fork supporting an apple from the base of its core . The next spinal curve is backward , for it is next engaged in carrying the weight of the chest , whose ribs are ...
Side 70
... head and shoulders with face excluded . Movement in these areas may be illustrated thus . First , imagine a furious individual grimacing facially , head out - thrust , neck short- ened , shoulders hunched , upper torso leaning forward ...
... head and shoulders with face excluded . Movement in these areas may be illustrated thus . First , imagine a furious individual grimacing facially , head out - thrust , neck short- ened , shoulders hunched , upper torso leaning forward ...
Side 77
... head all contribute a total visual impression . Imitate and give a one word description of what the following lines of move- ment suggest . A woman standing with hip thrown out A man , hands in pockets , rocking on heels A woman whose ...
... head all contribute a total visual impression . Imitate and give a one word description of what the following lines of move- ment suggest . A woman standing with hip thrown out A man , hands in pockets , rocking on heels A woman whose ...
Innhold
BROADENING THE FRONTIERS OF DRAMATIC ART | 3 |
EXPRESSION AND ITS FORMS | 9 |
EXPRESSIONRHYTHMIC AND BALANCED | 13 |
Opphavsrett | |
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accent acting action activity actor American Assimilation attack audience behavior Benvenuto body breath CHAPTER character characteristic characterization chest climax Cockney color consonant Cornelia Otis Skinner create D.PR dialect diphthong dominant pitch dramatic art effect emotional emphasis English example experience expression expressional feel French German gesture give glide glottis Gullah hard palate Haverstraw imagination imitation impersonation individual inflection interpreter intonation Irish larynx lips listen means mental mind mono-actor mono-theatre monodrama monothong mood movement muscles musical reading nasal pattern person phrases play reading poem poetry poise practice pronunciation reveal rhythm rhythmical Russian scene sense sentence sketch soft palate speak speaker speech stage story stress student suggest syllable Table of Consonant TABLE OF VOWEL teeth tell tempo tend tense thought timbre tion tone tongue triphthongs umlaut unvoiced utterance uvula values variations visual vocal voice vowel sounds weez words York