Taking the Stage: Self Development Through Dramatic ArtPitman Publishing Corporation, 1939 - 339 sider |
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Side 217
... lips quite open . Lips are rounded most ex- Unround the lips one degree Of the unrounded sounds we find " e " widening the lips most ex- tremely . There is slight relaxation in each of these unrounded vowels : ē - a - ă - Ĭ . Lip ...
... lips quite open . Lips are rounded most ex- Unround the lips one degree Of the unrounded sounds we find " e " widening the lips most ex- tremely . There is slight relaxation in each of these unrounded vowels : ē - a - ă - Ĭ . Lip ...
Side 219
... lip and upper teeth . Both lips are used for the bi - labial group of " p - b - m - wh - w . " This is not necessarily true in dialect . Germans , for example , do not use both lips in pronouncing " w . ” Instead they place the upper ...
... lip and upper teeth . Both lips are used for the bi - labial group of " p - b - m - wh - w . " This is not necessarily true in dialect . Germans , for example , do not use both lips in pronouncing " w . ” Instead they place the upper ...
Side 223
... lips and sound the " ea " of heard or the " i " of fir as a means of recreating the French " eu " sound used in dieu . For reproduction of the " u " sound : pre- pare to say " ee . " This is the attack . Now purse the lips slowly as if ...
... lips and sound the " ea " of heard or the " i " of fir as a means of recreating the French " eu " sound used in dieu . For reproduction of the " u " sound : pre- pare to say " ee . " This is the attack . Now purse the lips slowly as if ...
Innhold
BROADENING THE FRONTIERS OF DRAMATIC ART | 3 |
EXPRESSION AND ITS FORMS | 9 |
EXPRESSIONRHYTHMIC AND BALANCED | 13 |
Opphavsrett | |
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accent acting action activity actor American Assimilation attack audience behavior Benvenuto body breath CHAPTER character characteristic characterization chest climax Cockney color consonant Cornelia Otis Skinner create D.PR dialect diphthong dominant pitch dramatic art effect emotional emphasis English example experience expression expressional feel French German gesture give glide glottis Gullah hard palate Haverstraw imagination imitation impersonation individual inflection interpreter intonation Irish larynx lips listen means mental mind mono-actor mono-theatre monodrama monothong mood movement muscles musical reading nasal pattern person phrases play reading poem poetry poise practice pronunciation reveal rhythm rhythmical Russian scene sense sentence sketch soft palate speak speaker speech stage story stress student suggest syllable Table of Consonant TABLE OF VOWEL teeth tell tempo tend tense thought timbre tion tone tongue triphthongs umlaut unvoiced utterance uvula values variations visual vocal voice vowel sounds weez words York