Taking the Stage: Self Development Through Dramatic ArtPitman Publishing Corporation, 1939 - 339 sider |
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Side 115
... material and makes use of it , the audience empathizes and tem- porarily falls into the spell of believing that the actor is the politician he says he is . This is intimate acting at its best . Every branch of mono - theatre has material ...
... material and makes use of it , the audience empathizes and tem- porarily falls into the spell of believing that the actor is the politician he says he is . This is intimate acting at its best . Every branch of mono - theatre has material ...
Side 116
... MATERIAL FOR MONO - THEATRE " The theory of art teaches us what ought to be accomplished . " SCHLEGEL FOR MOST effective selection and adaptation of dramatic material every student should have knowledge of the fundamental rules of ...
... MATERIAL FOR MONO - THEATRE " The theory of art teaches us what ought to be accomplished . " SCHLEGEL FOR MOST effective selection and adaptation of dramatic material every student should have knowledge of the fundamental rules of ...
Side 121
... material it is often necessary to create atmosphere through narration . In monodrama this is done by a well - told ... material . CHAPTER FIFTEEN STORY TELLING " No tale so good but ARRANGING MATERIAL FOR MONO - THEATRE 121.
... material it is often necessary to create atmosphere through narration . In monodrama this is done by a well - told ... material . CHAPTER FIFTEEN STORY TELLING " No tale so good but ARRANGING MATERIAL FOR MONO - THEATRE 121.
Innhold
BROADENING THE FRONTIERS OF DRAMATIC ART | 3 |
EXPRESSION AND ITS FORMS | 9 |
EXPRESSIONRHYTHMIC AND BALANCED | 13 |
Opphavsrett | |
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accent acting action activity actor American Assimilation attack audience behavior Benvenuto body breath CHAPTER character characteristic characterization chest climax Cockney color consonant Cornelia Otis Skinner create D.PR dialect diphthong dominant pitch dramatic art effect emotional emphasis English example experience expression expressional feel French German gesture give glide glottis Gullah hard palate Haverstraw imagination imitation impersonation individual inflection interpreter intonation Irish larynx lips listen means mental mind mono-actor mono-theatre monodrama monothong mood movement muscles musical reading nasal pattern person phrases play reading poem poetry poise practice pronunciation reveal rhythm rhythmical Russian scene sense sentence sketch soft palate speak speaker speech stage story stress student suggest syllable Table of Consonant TABLE OF VOWEL teeth tell tempo tend tense thought timbre tion tone tongue triphthongs umlaut unvoiced utterance uvula values variations visual vocal voice vowel sounds weez words York