Taking the Stage: Self Development Through Dramatic ArtPitman Publishing Corporation, 1939 - 339 sider |
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Side 100
... stage the duelist after he has " killed " his opponent greets him off - stage and they chat together . 13. NATURALISM ON THE STAGE IS AS BAD AS ARTIFICIALITY IN REAL LIFE . The stage picture is never commonplace . It must al- ways ...
... stage the duelist after he has " killed " his opponent greets him off - stage and they chat together . 13. NATURALISM ON THE STAGE IS AS BAD AS ARTIFICIALITY IN REAL LIFE . The stage picture is never commonplace . It must al- ways ...
Side 105
... STAGE PRESENCE . The art of acting is essentially an art of communication ; the factors in the art depend upon communicability for their completeness . Stage presence is the ability to communicate adequately and effectively that which ...
... STAGE PRESENCE . The art of acting is essentially an art of communication ; the factors in the art depend upon communicability for their completeness . Stage presence is the ability to communicate adequately and effectively that which ...
Side 172
... stage the poem , how to recreate a scene which will bring the lines into visual significance ? This takes the matter back to the most fundamental question that the interpreter can ask : What scene does the meaning suggest to me ? When ...
... stage the poem , how to recreate a scene which will bring the lines into visual significance ? This takes the matter back to the most fundamental question that the interpreter can ask : What scene does the meaning suggest to me ? When ...
Innhold
BROADENING THE FRONTIERS OF DRAMATIC ART | 3 |
EXPRESSION AND ITS FORMS | 9 |
EXPRESSIONRHYTHMIC AND BALANCED | 13 |
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accent acting action activity actor American Assimilation attack audience behavior Benvenuto body breath CHAPTER character characteristic characterization chest climax Cockney color consonant Cornelia Otis Skinner create D.PR dialect diphthong dominant pitch dramatic art effect emotional emphasis English example experience expression expressional feel French German gesture give glide glottis Gullah hard palate Haverstraw imagination imitation impersonation individual inflection interpreter intonation Irish larynx lips listen means mental mind mono-actor mono-theatre monodrama monothong mood movement muscles musical reading nasal pattern person phrases play reading poem poetry poise practice pronunciation reveal rhythm rhythmical Russian scene sense sentence sketch soft palate speak speaker speech stage story stress student suggest syllable Table of Consonant TABLE OF VOWEL teeth tell tempo tend tense thought timbre tion tone tongue triphthongs umlaut unvoiced utterance uvula values variations visual vocal voice vowel sounds weez words York