Taking the Stage: Self Development Through Dramatic ArtPitman Publishing Corporation, 1939 - 339 sider |
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... student . Educational methods and ma- terials are most effective when they provide , at each stage of the student's growth , activities for individual development . The present volume presents such a system of training for students of ...
... student . Educational methods and ma- terials are most effective when they provide , at each stage of the student's growth , activities for individual development . The present volume presents such a system of training for students of ...
Side 81
... student has within . Apt- ness of portrayal depends upon the powers of observation and appli- cation . Improvisation serves as a practice vehicle whereby a char- acter concept can be translated into reality . In improvisation the student ...
... student has within . Apt- ness of portrayal depends upon the powers of observation and appli- cation . Improvisation serves as a practice vehicle whereby a char- acter concept can be translated into reality . In improvisation the student ...
Side 170
... students . The best explana- tion is that the poet is concerned with maintenance of a rhythm . To fill out this rhythm he often extends the poetic line beyond what the actual sense seems to warrant . This puts a strain on the student ...
... students . The best explana- tion is that the poet is concerned with maintenance of a rhythm . To fill out this rhythm he often extends the poetic line beyond what the actual sense seems to warrant . This puts a strain on the student ...
Innhold
BROADENING THE FRONTIERS OF DRAMATIC ART | 3 |
EXPRESSION AND ITS FORMS | 9 |
EXPRESSIONRHYTHMIC AND BALANCED | 13 |
Opphavsrett | |
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accent acting action activity actor American Assimilation attack audience behavior Benvenuto body breath CHAPTER character characteristic characterization chest climax Cockney color consonant Cornelia Otis Skinner create D.PR dialect diphthong dominant pitch dramatic art effect emotional emphasis English example experience expression expressional feel French German gesture give glide glottis Gullah hard palate Haverstraw imagination imitation impersonation individual inflection interpreter intonation Irish larynx lips listen means mental mind mono-actor mono-theatre monodrama monothong mood movement muscles musical reading nasal pattern person phrases play reading poem poetry poise practice pronunciation reveal rhythm rhythmical Russian scene sense sentence sketch soft palate speak speaker speech stage story stress student suggest syllable Table of Consonant TABLE OF VOWEL teeth tell tempo tend tense thought timbre tion tone tongue triphthongs umlaut unvoiced utterance uvula values variations visual vocal voice vowel sounds weez words York