Taking the Stage: Self Development Through Dramatic ArtPitman Publishing Corporation, 1939 - 339 sider |
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Side 20
... tion that sufficient time for assimilation of experience is not allowed . Such an individual is spoken of as superficial , flighty , a dilettante , immature and pretentious , lacking in poise . Again the individual may live in an ...
... tion that sufficient time for assimilation of experience is not allowed . Such an individual is spoken of as superficial , flighty , a dilettante , immature and pretentious , lacking in poise . Again the individual may live in an ...
Side 32
... tion of these form his " diction . " The speech of a well - bred , high - strung person has a certain quality . High - strung people tend to make use of lavish intonation and modulation . The individual speech pattern in this case would ...
... tion of these form his " diction . " The speech of a well - bred , high - strung person has a certain quality . High - strung people tend to make use of lavish intonation and modulation . The individual speech pattern in this case would ...
Side 297
... tion is upward , accompanied with much glide value . The range is wide . Pitch may ascend abruptly or in rising curves . There is a tendency in Yiddish speech to answer one question by asking another , thus : Deed you pay de meelkmen ...
... tion is upward , accompanied with much glide value . The range is wide . Pitch may ascend abruptly or in rising curves . There is a tendency in Yiddish speech to answer one question by asking another , thus : Deed you pay de meelkmen ...
Innhold
BROADENING THE FRONTIERS OF DRAMATIC ART | 3 |
EXPRESSION AND ITS FORMS | 9 |
EXPRESSIONRHYTHMIC AND BALANCED | 13 |
Opphavsrett | |
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accent acting action activity actor American Assimilation attack audience behavior Benvenuto body breath CHAPTER character characteristic characterization chest climax Cockney color consonant Cornelia Otis Skinner create D.PR dialect diphthong dominant pitch dramatic art effect emotional emphasis English example experience expression expressional feel French German gesture give glide glottis Gullah hard palate Haverstraw imagination imitation impersonation individual inflection interpreter intonation Irish larynx lips listen means mental mind mono-actor mono-theatre monodrama monothong mood movement muscles musical reading nasal pattern person phrases play reading poem poetry poise practice pronunciation reveal rhythm rhythmical Russian scene sense sentence sketch soft palate speak speaker speech stage story stress student suggest syllable Table of Consonant TABLE OF VOWEL teeth tell tempo tend tense thought timbre tion tone tongue triphthongs umlaut unvoiced utterance uvula values variations visual vocal voice vowel sounds weez words York