Taking the Stage: Self Development Through Dramatic ArtPitman Publishing Corporation, 1939 - 339 sider |
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Side 85
... true selectivity . Impersonations are Grounded in Life The actor should be strongly influenced by this principle . Im- personations should be worked out in terms that are true to experi- ence , rather than in terms that a gullible ...
... true selectivity . Impersonations are Grounded in Life The actor should be strongly influenced by this principle . Im- personations should be worked out in terms that are true to experi- ence , rather than in terms that a gullible ...
Side 100
... true that many people live on an emotional level and spend their time in feeling emotional reactions , and although it is true that many others live upon a physical plane where their main contact with life is through sensory impressions ...
... true that many people live on an emotional level and spend their time in feeling emotional reactions , and although it is true that many others live upon a physical plane where their main contact with life is through sensory impressions ...
Side 176
... true of every poetic line . The practice of poetry visualization is the practice of sustaining tone . A poem is like a journey across a brief plateau ; to begin such a trip one must climb to the plateau ; to end it one must climb down ...
... true of every poetic line . The practice of poetry visualization is the practice of sustaining tone . A poem is like a journey across a brief plateau ; to begin such a trip one must climb to the plateau ; to end it one must climb down ...
Innhold
BROADENING THE FRONTIERS OF DRAMATIC ART | 3 |
EXPRESSION AND ITS FORMS | 9 |
EXPRESSIONRHYTHMIC AND BALANCED | 13 |
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accent acting action activity actor American Assimilation attack audience behavior Benvenuto body breath CHAPTER character characteristic characterization chest climax Cockney color consonant Cornelia Otis Skinner create D.PR dialect diphthong dominant pitch dramatic art effect emotional emphasis English example experience expression expressional feel French German gesture give glide glottis Gullah hard palate Haverstraw imagination imitation impersonation individual inflection interpreter intonation Irish larynx lips listen means mental mind mono-actor mono-theatre monodrama monothong mood movement muscles musical reading nasal pattern person phrases play reading poem poetry poise practice pronunciation reveal rhythm rhythmical Russian scene sense sentence sketch soft palate speak speaker speech stage story stress student suggest syllable Table of Consonant TABLE OF VOWEL teeth tell tempo tend tense thought timbre tion tone tongue triphthongs umlaut unvoiced utterance uvula values variations visual vocal voice vowel sounds weez words York