Taking the Stage: Self Development Through Dramatic ArtPitman Publishing Corporation, 1939 - 339 sider |
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Side 45
... turn to give responsive attention and take from the mind of the new speaker . A good speaker needs to become a good listener . Too many people make no effort to grasp what the speaker says . One type of listener is so impatient to make ...
... turn to give responsive attention and take from the mind of the new speaker . A good speaker needs to become a good listener . Too many people make no effort to grasp what the speaker says . One type of listener is so impatient to make ...
Side 151
... turns his back on realism . Realism is only one way by which the theatre tries to create empathy in its audiences ... turn and ask thus . ( Bitterly ) Sir , ' twas not Her husband's presence only , called that spot ( quiet fury ) Of ...
... turns his back on realism . Realism is only one way by which the theatre tries to create empathy in its audiences ... turn and ask thus . ( Bitterly ) Sir , ' twas not Her husband's presence only , called that spot ( quiet fury ) Of ...
Side 157
... turns from side to side . Thus , when suggesting Character A , he may turn to the diagonal right ; to impersonate Character B he turns to the diagonal left . This restricted movement is thoroughly adequate to imply character give and ...
... turns from side to side . Thus , when suggesting Character A , he may turn to the diagonal right ; to impersonate Character B he turns to the diagonal left . This restricted movement is thoroughly adequate to imply character give and ...
Innhold
BROADENING THE FRONTIERS OF DRAMATIC ART | 3 |
EXPRESSION AND ITS FORMS | 9 |
EXPRESSIONRHYTHMIC AND BALANCED | 13 |
Opphavsrett | |
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accent acting action activity actor American Assimilation attack audience behavior Benvenuto body breath CHAPTER character characteristic characterization chest climax Cockney color consonant Cornelia Otis Skinner create D.PR dialect diphthong dominant pitch dramatic art effect emotional emphasis English example experience expression expressional feel French German gesture give glide glottis Gullah hard palate Haverstraw imagination imitation impersonation individual inflection interpreter intonation Irish larynx lips listen means mental mind mono-actor mono-theatre monodrama monothong mood movement muscles musical reading nasal pattern person phrases play reading poem poetry poise practice pronunciation reveal rhythm rhythmical Russian scene sense sentence sketch soft palate speak speaker speech stage story stress student suggest syllable Table of Consonant TABLE OF VOWEL teeth tell tempo tend tense thought timbre tion tone tongue triphthongs umlaut unvoiced utterance uvula values variations visual vocal voice vowel sounds weez words York