John KeatsHarold Bloom Chelsea House, 2007 - 272 sider Romantic poet, John Keats was only 25 when he died of tuberculosis, but his work has achieved canonical status. Poet and critic Matthew Arnold said of Keats, In the faculty of naturalistic interpretation, in what we call natural magic, he ranks with Shakespeare. Keats' more recognizable poems include Ode on a Grecian Urn, Ode to a Nightingale, and Ode on Melancholy. Updated with all-new, full-length critical essays selected by Harold Bloom, this volume will draw students into an in-depth study of the brilliant young poet. A chronology, notes on the contributors, and a bibliography round out this useful resource. |
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Side 13
... sense - experience . Keats's deliberate interest in sense - response has usually been cited as proof of his love of luxury or his minute apprehension of sensual fluctuation . It has not been generally realized that Keats's search for ...
... sense - experience . Keats's deliberate interest in sense - response has usually been cited as proof of his love of luxury or his minute apprehension of sensual fluctuation . It has not been generally realized that Keats's search for ...
Side 56
... sense of direction . The resulting ambiguity is not of the fruitful kind . The ode is the one short poem of Keats ' that is undoubtedly a dramatic lyric ( we can , if we like , make all the odes dramatic lyrics by pretending that we ...
... sense of direction . The resulting ambiguity is not of the fruitful kind . The ode is the one short poem of Keats ' that is undoubtedly a dramatic lyric ( we can , if we like , make all the odes dramatic lyrics by pretending that we ...
Side 98
... sense , ' Hyperion ' figures in our criticism as " The Fall's intellectual , formal , and stylistic point of departure . Our critical constellating of the two Hyperion poems with ' Lamia ' makes good sense , but a different kind of sense ...
... sense , ' Hyperion ' figures in our criticism as " The Fall's intellectual , formal , and stylistic point of departure . Our critical constellating of the two Hyperion poems with ' Lamia ' makes good sense , but a different kind of sense ...
Innhold
The Ode to Psyche | 13 |
Nightingale and Melancholy | 37 |
Hyperion and The Fall of Hyperion | 97 |
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aesthetic allegorical Apollo ballad beauty becomes belle dame Book bower Cockney School consciousness critics Cupid Dame sans Merci death diction dream early draft ekphrasis Elgin Marbles Endymion erotic essay Eve of St eyes faery Fall of Hyperion Fancy Fanny Brawne fetish gaze genre Grecian Urn happy honey human Hunt's imagination implied Indicator version Indolence John Keats Keats's Keats's poem Keatsian knight Lamia language Leigh Hunt letter lines literary look Madeline meaning Melancholy Milton Moneta myth narrative narrator natural Nightingale object Ode on Melancholy Ode to Psyche Petrarchan Petrarchan sonnet phrase poem's Poesy poet poet's poetic figures political Porphyro readers represents rhyme Romantic seems sense sestet sexual Shakespearean Shelley Shelley's song sonnet soul speaker Spenser Spenserian St Agnes stanza twenty-four sublime suggests sweet symbol tradition truth Univ University Press urn's verse vision visual voice wild words Wordsworth writing
Referanser til denne boken
Lacan, Discourse, and Social Change: A Psychoanalytic Cultural Criticism Mark Bracher Begrenset visning - 1993 |