Seeming Knowledge: Shakespeare and Skeptical FaithBaylor University Press, 2007 - 348 sider Seeming Knowledge revisits the question of Shakespeare and religion by focusing on the conjunction of faith and skepticism in his writing. Cox argues that the relationship between faith and skepticism is not an invented conjunction. The recognition of the history of faith and skepticism in the sixteenth century illuminates a tradition that Shakespeare inherited and represented more subtly and effectively than any other writer of his generation. |
Innhold
Comic Faith | 33 |
Tragic Grace | 65 |
History and Guilt | 97 |
PART | 126 |
Ethics | 161 |
Esthetics Epistemology Ontology | 195 |
Shakespeare and the French Epistemologists | 227 |
Notes | 251 |
| 317 | |
| 333 | |
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Seeming Knowledge: Shakespeare and Skeptical Faith John D. Cox Ingen forhåndsvisning tilgjengelig - 2011 |
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acknowledges action allegory allusions Angelo Antony and Cleopatra argues asserts Berger biblical Bolingbroke Brutus Cambridge University Press Cassius Cavell chapter characters Christian Claudio Comedy of Errors Comic contrast Cordelia Coriolanus critical Cymbeline death deceived demonic Descartes destiny divine drama Duke Duke's early effect Elizabethan emphasizes English epistemology Erasmus Essays esthetic ethics exorcism faith father Felperin forgiveness genre Hamlet Henry Henry VI Henry's history plays human imagines Isabella John Julius Caesar King Lear London Lucrece Macbeth Machiavelli Measure for Measure medieval Montaigne Montaigne's morality play murder Ontology Othello Oxford parallel Pascal patrician Pericles play's political prayer Prince Princeton recognize Reformation religious Renaissance rhetorical Richard Richard II Roman Rome Romeo and Juliet says scene secular seems self-deception sense Shakespeare Shakespeare's history Shakespearean comedy Sidney skepticism stoic story succession suffering suggests suspicion Tempest theater theatrical thinking thou tion Titus Andronicus traditional tragedy tragic Tudor virtue York