An Introduction to the Study of Gothic ArchitectureJ. Parker, 1891 - 331 sider The history of Gothic architecture from the Roman period to the Renaissance. Most of the text focuses on English architecture but the final section covers the Gothic style in some other European countries. Includes nearly 190 illustrations, as well as a glossary of terms. |
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Side iii
... when once pointed out it was im- possible to avoid making use of them . The chapter on French Gothic is chiefly the result of observations made on a tour in the central part of France in the summer of 1849 , assisted by the.
... when once pointed out it was im- possible to avoid making use of them . The chapter on French Gothic is chiefly the result of observations made on a tour in the central part of France in the summer of 1849 , assisted by the.
Side iv
John Henry Parker. France in the summer of 1849 , assisted by the remem- brance of several previous visits to Normandy ... France to M. De Cau- mont of Caen , M. Viollet - le - Duc of Paris , and the Abbé Bulteau of Chartres . He trusts ...
John Henry Parker. France in the summer of 1849 , assisted by the remem- brance of several previous visits to Normandy ... France to M. De Cau- mont of Caen , M. Viollet - le - Duc of Paris , and the Abbé Bulteau of Chartres . He trusts ...
Side vi
... France were so closely connected together that it is impossible to believe that one did not influence the other ; and this work is not intended for architects so much as for their employers , the gentry and clergy of England , to whom ...
... France were so closely connected together that it is impossible to believe that one did not influence the other ; and this work is not intended for architects so much as for their employers , the gentry and clergy of England , to whom ...
Side xvi
... FRANCE , 227 ; THE EARLY FRENCH STYLE , 234 ; THE DECORATED FRENCH STYLE , 258 ; THE FLAMBOYANT STYLE , 260 ; ITALY , AND ROME , 266 ; RAVENNA , 282 ; FLORENCE , 283 ; PISA , 289 ; LUCCA , 291 ; VENICE , 294 ; MILAN , 295 ; VER- CELLI ...
... FRANCE , 227 ; THE EARLY FRENCH STYLE , 234 ; THE DECORATED FRENCH STYLE , 258 ; THE FLAMBOYANT STYLE , 260 ; ITALY , AND ROME , 266 ; RAVENNA , 282 ; FLORENCE , 283 ; PISA , 289 ; LUCCA , 291 ; VENICE , 294 ; MILAN , 295 ; VER- CELLI ...
Side 3
... France it is more frequent ; in the province of Perigord , churches of a thoroughly Byzantine type are numerous . In Lombardy a distinct style was formed , which partakes in some degree of the Byzantine character , but is readily dis ...
... France it is more frequent ; in the province of Perigord , churches of a thoroughly Byzantine type are numerous . In Lombardy a distinct style was formed , which partakes in some degree of the Byzantine character , but is readily dis ...
Vanlige uttrykk og setninger
abacus afterwards aisles altar angles appears apse arcade architect architecture Basilica belong Berkshire Beverley Minster Bishop brick buildings built buttresses Byzantine called Canterbury capitals Castle Cathedral chapel chapter-house character chiefly choir clerestory cloister construction crockets crypt cusps Decorated style doorways earlier Early English style Early French early Norman eleventh century England examples feature Flamboyant foliage foliated foliated circles France frequently Gloucester Cathedral Gothic architecture Gothic style hall Hugh inscription Italy lancet lancet windows later Lincoln Lincoln Cathedral masonry Minster mouldings nave Normandy Northamptonshire original ornament Oxford Oxfordshire Palace panelling period Perpendicular style pillars plain pointed arches porch probably provinces quatrefoil racter Raunds rebuilt remains remarkable rich Roman Rome roof round sculpture shafts Shewing sometimes square stone thirteenth century tooth-ornament tower tracery transept transitional trefoil triforium twelfth century usually vault walls west end west front Westminster Abbey Winchester Winchester Cathedral wooden
Populære avsnitt
Side 7 - ... altars be erected, and relics placed. For if those temples are well built, it is requisite that they be converted from the worship of devils to the service of the true God...
Side 50 - Salisbury] was a prelate of great mind, and spared no expense towards completing his designs, especially in buildings; which may be seen in other places, but more particularly at Salisbury and at Malmesbury, for there he erected extensive edifices at vast cost, and with surpassing beauty, the courses of stone being so correctly laid that the joint deceives the eye, THE EAELY NORMAN PERIOD.
Side 50 - Malmesbury. For there he erected extensive edifices, at vast cost, and with surpassing beauty; the courses of stone being so correctly laid that the joint deceives the eye, and leads it to imagine that the whole wall is composed of a single block.
Side 188 - ... opening than a distinct member of the division. The roofing, from the increased richness of the groining, becomes an object of more attention. On the whole, the nave of York, from the uncommon grandeur and simplicity of the design, is certainly the finest example ; ornament is nowhere spared, yet there is a simplicity which is peculiarly pleasing.
Side 109 - Owky d, as also many other edifices in the same houses : and lastly, the church of Welles itselfe being now ready to fall to the ground, notwithstanding the great cost bestowed upon it by Bishop Robert, he pulled down the...