 Angelo ; with all the rest of the cant of Criticism, which he emitted with that volubility which generally those orators have, who annex no ideas to their words. As we were passing through the rooms, in our way to the Gallery, I made him observe a whole...  The Discourses - Side 270av Sir Joshua Reynolds - 1887 - 283 siderUten tilgangsbegrensning - Om denne boken
 | Samuel Johnson - 1767 - 366 sider
...volubility which generally thofe orators have who annex no ideas to their words.. As we were paffing through the rooms, in our way to the Gallery, I made him obferve a whole length of Charles the firft by Fan*dyke, as a perfect reprefentation of the character... | |
 | Samuel Johnson, John Hawkins - 1787 - 432 sider
...all the reft of the cant of criticifm, which he emitted with that volubility which generally thofe orators have who annex no ideas to their words. As we were pafling through the rooms, in our way to the gallery, I made him obferve a whole length of Charles... | |
 | Samuel Johnson, John Hawkins - 1787 - 430 sider
...the reft of the cant of criticifm, which he emitted with that volubility . •which generally thofe orators have who annex no ideas to their words. As we were palling through the rooms, in our •way to the gallery, I made him obferve a whole length of Charles... | |
 | Samuel Johnson, John Hawkins - 1787 - 442 sider
...all the reft of the cant of criticifm, which he emitted with that volubility which generally thofe orators have who annex no ideas to their words. As we were palling through the rooms, in our •way to the gallery, I made him pbferve a whole length of Charles... | |
 | Sir Joshua Reynolds, Edmond Malone - 1801 - 452 sider
...of Guido, the greatness of Taste of the Carraccis, and the Sublimity and grand Contorno of Michael Angelo; with all the rest of the cant of Criticism,...him observe a whole length of Charles the first, by Vandyck, as a perfect representation of the character as well as the figure of the man : He agreed... | |
 | sir Joshua Reynolds - 1801 - 450 sider
...of Guido, the greatness of Taste of the Carraccis, and the Sublimity and grand Contorno of Michael Angelo ; with all the rest of the cant of Criticism,...him observe a whole length of Charles the first, by Vandyck, as a perfect representation of the character as well as the figure of the man : He agreed... | |
 | 1803 - 222 sider
...of Guido, the greatness of taste of the Charaches, and the sublimity and grand contorno of Michael Angelo ; with all the rest of the cant of criticism,...words. As we were passing through the rooms, in our wayto the gallery, I made him observe a whole length of Charles I. by Vandyke, as a perfect representation... | |
 | 1792 - 620 sider
...worfe, who judges by narrow cant of criticifui, \vaichhe '" that volubility -which generally thofe orators have who annex no ideas to their •words. As we were pafling through the rooms, in our way to the gallery, I made him obferve a whole length of Charles... | |
 | Samuel Johnson - 1816 - 484 sider
...of Guido, the greatness of taste of the Charaches, and the sublimity and grand contorno of Michael Angelo ; with all the rest of the cant of criticism,...our way to the gallery, I made him observe a whole vOL. vII. X length of Charles the First by Vandyke, as a perfect representation of the character as... | |
 | sir Joshua Reynolds - 1819 - 440 sider
...Air of Guido, the greatness of Taste of the Caraccis, and the Sublimity and grand Contorno of Michael Angelo; with all the rest of the cant of Criticism,...him observe a whole length of Charles the First, by Vandyck, as a perfect representation of the character as well as the figure of the man : He agreed... | |
| |
