Elements of Criticism, Volum 2Scott and Seguine, 1819 |
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Vanlige uttrykk og setninger
accent action admit Æneid agreeable allegory appear beauty blank verse capital cause Chapter circumstance colour common composition confined connected connexion couplet Demetrius Phalereus distinguished effect elevation emotions employed Eneid epic poem epic poetry equally Euripides expression figure of speech Fingal foregoing garden give hath Heav'n Hence Henry VI Hexameter Hexameter line Horat idea Iliad imagination imitation impression ject kind language less light long syllable manner means melody metaphor mind motion nature never object observed ornaments Paradise Lost passion pause perceived perception period personification pleasure poet principal pronounced proper proportion reader reason regularity relation relished representation resemblance respect rhyme Richard II rule scarce scene sect sense sensible short syllables signify simile sion sound spectator Spondees substantive taste termed thee thing thou thought tion tragedy tree unity variety verb verse words writer
Populære avsnitt
Side 171 - Wilt thou upon the high and giddy mast, Seal up the ship-boy's eyes, and rock his brains In cradle of the rude imperious surge. And in the visitation of the winds, Who take the ruffian billows by the top, Curling their monstrous heads, and hanging them With deaf ning clamours in the slippery clouds...
Side 235 - There are a sort of men, whose visages Do cream and mantle, like a standing pond...
Side 242 - But whate'er you are That in this desert inaccessible, Under the shade of melancholy boughs, Lose and neglect the creeping hours of time ; If ever you have look'd on better days, If ever been where bells have knoll'd to church, If ever sat at any good man's feast, If ever from your eyelids wiped a tear And know what 'tis to pity and be pitied, Let gentleness my strong enforcement be : In the which hope I blush, and hide my sword.
Side 142 - He scarce had ceased, when the superior fiend Was moving toward the shore ; his ponderous shield, Ethereal temper, massy, large, and round, Behind him cast ; the broad circumference Hung on his shoulders like the moon, whose orb Through optic glass the Tuscan artist views At evening from the top of Fesole Or in Valdarno, to descry new lands, Rivers, or mountains, in her spotty globe.
Side 201 - For the vineyard of the Lord of hosts is the house of Israel, and the men of Judah his pleasant plant; and he looked for judgment, but behold oppression; for righteousness, but behold a cry.
Side 148 - Give me my Romeo, and when he shall die, Take him and cut him out in little stars, And he will make the face of heaven so fine, That all the world will be in love with night, And pay no worship to the garish Sun.
Side 233 - One cried, God bless us ! and, Amen, the other ; As they had seen me, with these hangman's hands, Listening their fear. I could not say, amen, When they did say, God bless us.
Side 140 - In these two princely boys! They are as gentle As zephyrs, blowing below the violet, Not wagging his sweet head: and yet as rough, Their royal blood enchafd, as the rud'st wind, That by the top doth take the mountain pine, And make him stoop to the vale.
Side 242 - With thee conversing I forget all time ; All seasons and their change, all please alike. Sweet is the breath of morn, her rising sweet, With charm of earliest birds...
Side 201 - My well-beloved hath a vineyard in a very fruitful hill: and he fenced it, and gathered out the stones thereof, and planted it with the choicest vine, and built a tower in the midst of it, and also made a winepress therein: And he looked that it should bring forth grapes, and it brought forth wild grapes.