 | John Nichols - 1782 - 502 sider
...efcape ; one hand is thruft precipitately " int'o his bofom, the fingers of the other are catch" ing uncertainly at his button-holes. If this was a " portrait, it is the moft ftriking that ever was " drawn ; if it was not, it is ftill finer." The portrait was that of Bambridge... | |
 | Horace Walpole, George Vertue - 1786 - 360 sider
...his legs ftep back as thinking to make his cfcape; one hand is thruft precipitately into his bofom, the fingers of the other are catching uncertainly...his button-holes. If this was a portrait,* it is the moft fpeaking that ever was drawn 9 if it was not, it is ftill finer. It is feldom that his figures... | |
 | 1808 - 408 sider
...fear, and j conscience arc mixed in yellow and livid on ! his countenance, his lip- are contracted by { tremor, his. face advances as eager to lie, his legs...this was a portrait, it is the most speaking that етег was drawn ; if it was not, it is still finer. It is seldom that his figures do not express... | |
 | William Hogarth - 1808 - 346 sider
...lips arc contracted by tremor; his face advances as eager to lie, his legs slip back as meditating an escape; one hand is thrust precipitately into his...other are catching uncertainly at his button-holes. This portrait of Bambridge is said to have been taken in the beginning of the year 1729, when Bambridge... | |
 | James Caulfield - 1820 - 386 sider
...and livid on his countenance; his lips are contracted by tremor; his face advances, as eager to He ; his legs step back, as thinking to make his escape...button-holes. If this was a portrait, it is the most striking that ever was drawn ; if it was not, it is still finer. The portrait intended was that of... | |
 | Horace Walpole - 1827 - 400 sider
...Villainy, fear, and conscience are mixed in yellow and livid on his countenance, his lips are contracted by tremor, his face advances as eager to lie, his legs...catching uncertainly at his button-holes. If this was a portrait,-f- it is the most speaking that ever was drawn ; if it was not, it is still finer. It is... | |
 | Allan Cunningham - 1832 - 324 sider
...fear, and conscience are mixed in yellow and livid upon his countenance, his lips are contracted by tremor, his face advances as eager to lie, his legs...as thinking to make his escape, one hand is thrust forward into his bosom, the fingers of the other are catching uncertainly at his button holes. If this... | |
 | 1834 - 532 sider
...face advances as eager to h'er his legs step back as thinking to make hi- escape ; one hand « thrnst precipitately into his bosom, the fingers of the other are catching uncertainly at his buttow-boles. If this was a pe'trait, it is ihe most speaking; itatt ever was drawn . if it H .. -... | |
 | John Gould - 1835 - 430 sider
...inhuman gaoler ; it is the very figure that Salvator Rosa would have drawn for lago, in the moment of detection. Villany, fear, and conscience, are mixed...one hand is thrust precipitately into his bosom, the ringers of the other are catching uncertainly at his button-holes. If this was :, portrait, it is the... | |
 | 1846 - 316 sider
...fear, and conscience are mixed in yellow and livid upon his countenance, his lips are contracted by tremor, his face advances as eager to lie, his legs...as thinking to make his escape, one hand' is thrust forward into his bosom, the fingers of the other are catching uncertainly at his button holes. If this... | |
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Villainy, fear, and conscience are mixed in yellow and livid on his countenance. His lips are contracted by tremor, his face advances as eager to lie, his legs step back as thinking to make his escape. One hand is thrust precipitately into his bosom,... 
