The Rhetorical Reader: Consisting of Instructions for Regulating the Voice, with a Rhetorical Notation, Illustrating Inflection, Emphasis, and Modulation : and a Course of Rhetorical Exercises : Designed for the Use of Academies and High-schoolsDorr and Howland, 1834 - 304 sider |
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Side 8
... feeling and adaptation of manner , are frustrated by labor of memory . The attempt to speak with this indo- lent , halting preparation , is in all respects worse than nothing . KEY OF INFLECTION . - denotes monotone . KEY OF RHETORICAL ...
... feeling and adaptation of manner , are frustrated by labor of memory . The attempt to speak with this indo- lent , halting preparation , is in all respects worse than nothing . KEY OF INFLECTION . - denotes monotone . KEY OF RHETORICAL ...
Side 16
... feeling requires , without feeling ; and because he has no conception what it is in his voice that is wrong . You tell him perhaps , that he must drop his read- ing tone , and be natural ; but he understands nothing what you mean ; and ...
... feeling requires , without feeling ; and because he has no conception what it is in his voice that is wrong . You tell him perhaps , that he must drop his read- ing tone , and be natural ; but he understands nothing what you mean ; and ...
Side 21
... feeling . It does not barely express the thoughts of an author , but expresses them with the force , variety , and beauty , which feeling demands . To this latter sort of reading would I bend all my efforts in forming the habits of the ...
... feeling . It does not barely express the thoughts of an author , but expresses them with the force , variety , and beauty , which feeling demands . To this latter sort of reading would I bend all my efforts in forming the habits of the ...
Side 49
... FEELING CAN INDEED GIVE US A NOTION OF EXTENSION , SHAPE , AND ALL OTHER IDEAS THAT ENTER AT THE EYE , EXCEPT COLORS . AT THE SAME TIME , IT IS VERY MUCH CONFINED IN ITS OPERATIONS , TO THE NUMBER , BULK , AND DISTANCE or ITS PARTICULAR ...
... FEELING CAN INDEED GIVE US A NOTION OF EXTENSION , SHAPE , AND ALL OTHER IDEAS THAT ENTER AT THE EYE , EXCEPT COLORS . AT THE SAME TIME , IT IS VERY MUCH CONFINED IN ITS OPERATIONS , TO THE NUMBER , BULK , AND DISTANCE or ITS PARTICULAR ...
Side 50
... feeling can indeed give us a notion of extension , shápe , and all other ideas that enter at the eye , except colors . At the same time , it is very much confined in its operations , to the number , búlk , and distance of its particular ...
... feeling can indeed give us a notion of extension , shápe , and all other ideas that enter at the eye , except colors . At the same time , it is very much confined in its operations , to the number , búlk , and distance of its particular ...
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The Rhetorical Reader: Consisting of Instructions for Regulating the Voice ... Ebenezer Porter Uten tilgangsbegrensning - 1842 |
The Rhetorical Reader: Consisting of Instructions for Regulating the Voice ... Ebenezer Porter Uten tilgangsbegrensning - 1842 |
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accent angel answer arms battle behold Beotia blessings circumflex colossal cavern dark dead death denote dreadful earth elocution eloquence emotion emphasis emphatic emphatic series eternal examples EXERCISE expressed falling inflection falling slide father fault fear fire flames give grave happiness hast hath head hear heard heart heaven Hispaniola hope horror Jesus look Lord loud meaning ment mind never night o'er Old South Church open vowels pause phatic Phocis poor principle reader requires the falling rhetorical right hand rising inflection rising slide Rolla say unto sense senseless things sentence shining instruments ship smile soul sound speak speaker spirit stand stood storm stranger stress syllable tears tell tence thee thing thou thought throne thunder thy servant tion tones turn uttered voice vowel weeping whole wife William Reed wind wings words zouar