The Rhetorical Reader: Consisting of Instructions for Regulating the Voice, with a Rhetorical Notation, Illustrating Inflection, Emphasis, and Modulation : and a Course of Rhetorical Exercises : Designed for the Use of Academies and High-schoolsDorr and Howland, 1834 - 304 sider |
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Side 14
... mind the stops , " nothing more was required . Elementary books too have been , till of late , nearly silent as to precepts for regulating the manner in reading . Some of these did formerly give the three follow- ing directions ; -that ...
... mind the stops , " nothing more was required . Elementary books too have been , till of late , nearly silent as to precepts for regulating the manner in reading . Some of these did formerly give the three follow- ing directions ; -that ...
Side 20
... mind matures : " - or 66 Arm , warriors ! Arm for fight ! ” and it is quite another case . Here stress and inflection are needed on the emphatic words . Why ? Because sense and emotion require it . Let these few words be right , and no ...
... mind matures : " - or 66 Arm , warriors ! Arm for fight ! ” and it is quite another case . Here stress and inflection are needed on the emphatic words . Why ? Because sense and emotion require it . Let these few words be right , and no ...
Side 23
... mind , imparts a correspondent character to the action of the vocal organs , and makes speech only a succession of indolent , half - formed sounds , more resembling the mutter- ing of a dream , than the clear articulation , which we ...
... mind , imparts a correspondent character to the action of the vocal organs , and makes speech only a succession of indolent , half - formed sounds , more resembling the mutter- ing of a dream , than the clear articulation , which we ...
Side 39
... mind . Hence when it stands opposed to the claims of custom or of harmony , these always give way to its supremacy . Now I presume that every one , who is at all accustomed to accurate observation on this subject , must be sensible how ...
... mind . Hence when it stands opposed to the claims of custom or of harmony , these always give way to its supremacy . Now I presume that every one , who is at all accustomed to accurate observation on this subject , must be sensible how ...
Side 41
... mind receives strong and vivid im- pressions , which it is the office of vocal language to express . Thus exclamation , apostrophe , and bold figures in general , denoting high emotion , demand a correspondent force in pronunciation ...
... mind receives strong and vivid im- pressions , which it is the office of vocal language to express . Thus exclamation , apostrophe , and bold figures in general , denoting high emotion , demand a correspondent force in pronunciation ...
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The Rhetorical Reader: Consisting of Instructions for Regulating the Voice ... Ebenezer Porter Uten tilgangsbegrensning - 1842 |
The Rhetorical Reader: Consisting of Instructions for Regulating the Voice ... Ebenezer Porter Uten tilgangsbegrensning - 1842 |
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accent angel answer arms battle behold Beotia blessings circumflex colossal cavern dark dead death denote dreadful earth elocution eloquence emotion emphasis emphatic emphatic series eternal examples EXERCISE expressed falling inflection falling slide father fault fear fire flames give grave happiness hast hath head hear heard heart heaven Hispaniola hope horror Jesus look Lord loud meaning ment mind never night o'er Old South Church open vowels pause phatic Phocis poor principle reader requires the falling rhetorical right hand rising inflection rising slide Rolla say unto sense senseless things sentence shining instruments ship smile soul sound speak speaker spirit stand stood storm stranger stress syllable tears tell tence thee thing thou thought throne thunder thy servant tion tones turn uttered voice vowel weeping whole wife William Reed wind wings words zouar