The Literary Works of Sir Joshua Reynolds ...: Containing His Discourses, Papers in the Idler, the Journal of a Tour Through Flanders and Holland, and Also His Commentary on Du Fresnoy's Art of Painting, Volum 1T. Cadell and W. Davies, 1819 |
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Side iii
... productions of his pencil which place him on a level with Titian and Van- dyck , will naturally wish to know something of the man , as well as of the painter . JOSHUA REYNOLDS was born at Plympton in Devonshire , July a 2 [ iii ]
... productions of his pencil which place him on a level with Titian and Van- dyck , will naturally wish to know something of the man , as well as of the painter . JOSHUA REYNOLDS was born at Plympton in Devonshire , July a 2 [ iii ]
Side iv
... has erroneously been supposed to represent the father of the painter . See Bromley's Catalogue of Engraved British Portraits , 4to . 1792 , p . 280 . afforded him but a moderate subsistence ; nor was he iv SOME ACCOUNT OF.
... has erroneously been supposed to represent the father of the painter . See Bromley's Catalogue of Engraved British Portraits , 4to . 1792 , p . 280 . afforded him but a moderate subsistence ; nor was he iv SOME ACCOUNT OF.
Side viii
... Painter , was born in 1701. " He but an ordinary painter , was the most distin- guished viii SOME ACCOUNT OF.
... Painter , was born in 1701. " He but an ordinary painter , was the most distin- guished viii SOME ACCOUNT OF.
Side xi
... painter to raise , as he could , the fabric of his own fortune . After spending a few more years in the practice of painting , partly in London † and partly in Devonshire , where many of his early essays yet remain , he became ...
... painter to raise , as he could , the fabric of his own fortune . After spending a few more years in the practice of painting , partly in London † and partly in Devonshire , where many of his early essays yet remain , he became ...
Side xiv
... painter , ) as I was informed by the keeper of the Vatican , that many of those whom he had conducted through the ... painters now in France once told me , that this circumstance hap- pened to himself : though he now looks on Raffaelle ...
... painter , ) as I was informed by the keeper of the Vatican , that many of those whom he had conducted through the ... painters now in France once told me , that this circumstance hap- pened to himself : though he now looks on Raffaelle ...
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The Literary Works of Sir Joshua Reynolds ...: Containing His ..., Volum 1 Sir Joshua Reynolds Uten tilgangsbegrensning - 1819 |
The Literary Works of Sir Joshua Reynolds ...: Containing His Discourses ... Ingen forhåndsvisning tilgjengelig - 2020 |
The Literary Works of Sir Joshua Reynolds ...: Containing His ..., Volum 2 Sir Joshua Reynolds,Edmond Malone,Joseph Farington Ingen forhåndsvisning tilgjengelig - 2019 |
Vanlige uttrykk og setninger
Academicians acquired admirable Albert Durer ancient appear artist ation attain attention beauty Burke Carlo Maratti character Claude Lorrain colouring composition considered copy Correggio dignity DISCOURSE distinguished ditto drapery drawing dress duced Duke Earl effect elegance eminent endeavour engraved equal excellence exhibited expression favour figures friends genius gentlemen give grace grandeur Gwatkin habits honour Hudson idea imagination imitation invention James Boswell Jervais John Boydell Johnson justly kind knowledge labour light lived Lord Lord Edgcumbe Majesty manner masters ment merit Michael Angelo mind nature never object observed opinion ornaments painter painting Paul Veronese perfect picture pleasure portraits possessed Poussin practice praise President principles produced profession racter Raffaelle rank Rembrandt respect Royal Academy Rubens rules simplicity Sir Joshua Reynolds society Students style taste thing thought tion Titian truth Vandyck variety Venetian Venetian School whole wish
Populære avsnitt
Side 59 - A man cannot tell, whether Apelles or Albert Durer were the more trifler; whereof the one would make a personage by geometrical proportions, the other by taking the best parts out of divers faces to make one Excellent. Such personages I think would please nobody, but the painter that made them.
Side 154 - Invention is one of the great marks of genius ; but if we consult experience, we shall find that it is by being conversant with the inventions of others, that we learn to invent : as by reading the thoughts of others, we learn to think.
Side xxix - their excellence and their value consisted in being the observations of a strong mind operating upon life ; and in consequence you find there what you seldom find in other books.
Side xiii - It is much to be regretted that he did not live to compose such a Discourse ; for, from the hand of so great and candid an Artist, it could not but have been highly curious and instructive.
Side 77 - THIT value and rank of every art is in proportion to the mental labour employed in it, or the mental pleasure produced by it. As this principle is observed or neglected, our profession becomes either a liberal art, or a mechanical trade.
Side cxxii - ... his native humility, modesty, and candour never forsook him, even on surprise or provocation ; nor was the least degree of arrogance or assumption visible to the most scrutinizing eye in any part of his conduct or discourse.
Side 155 - The mind is but a barren soil; a soil V which is soon exhausted, and will produce no crop, or only one, unless it be continually fertilized and enriched with foreign matter.
Side 42 - You must have no dependence on your own genius. If you have great talents, industry will improve them; if you have but moderate abilities, industry will supply their deficiency. Nothing is denied to well directed labour: nothing is to be obtained without it.
Side 96 - And though in this respect the Venetians must be allowed extraordinary skill, yet even that skill, as they have employed it, will but ill correspond with the great style. Their colouring is not only too brilliant, but, I will venture to say, too harmonious, to produce that solidity, steadiness, and simplicity of effect, which heroic subjects require, and which simple or grave colours only can give to a work.
Side 33 - However, as the practice of copying is not entirely to be excluded, since the mechanical practice of painting is learned in some measure by it, let those choice parts only be selected which have recommended the work to notice. If its excellence...