Literary Criticism: A Short History, Volum 10Knopf, 1957 - 755 sider Traces literary criticism from its classical origins up to the present. |
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Side 619
... Richards as they evidently are for Santayana , on the same level . Richards displays no interest in dis- tinguishing the beautiful from the sublime ; his interest is rather to dis- tinguish a richer , deeper , and more tough - minded ...
... Richards as they evidently are for Santayana , on the same level . Richards displays no interest in dis- tinguishing the beautiful from the sublime ; his interest is rather to dis- tinguish a richer , deeper , and more tough - minded ...
Side 621
... Richards actually succeeds in cut- ting his desiderated " balanced poise " cleanly off from all relation to “ the structure of the stimulating object . " Though Richards is careful to point out that such balanced poise is " not peculiar ...
... Richards actually succeeds in cut- ting his desiderated " balanced poise " cleanly off from all relation to “ the structure of the stimulating object . " Though Richards is careful to point out that such balanced poise is " not peculiar ...
Side 623
... Richards ' own criticism - see the next chapter . Nevertheless , the dif- ferences between Eliot and Richards are very important , and nowhere more so than in their treatment of thought and feeling . In spite of some waverings and ...
... Richards ' own criticism - see the next chapter . Nevertheless , the dif- ferences between Eliot and Richards are very important , and nowhere more so than in their treatment of thought and feeling . In spite of some waverings and ...
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Socrates and the Rhapsode PAGE | 3 |
Poetry as Structure | 21 |
Tragedy and Comedy | 35 |
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18th century aesthetic ancient appears argument Aristotelian Aristotle Aristotle's Arnold artist beauty Chapter character classical Coleridge comedy comic concept Croce doctrine dramatic Dryden Eliot emotion English Essay ethical expression fact feeling French genres Greek hamartia Homer Horace human I. A. Richards ideal ideas imagination imitation instance Isocrates Johnson kind language less literary criticism literary theory literature London Longinus lyric meaning metaphor metaphysical mind modern moral myth nature neo-classic neo-Platonic norm object passage passion perhaps peripeteia Phaedrus philosophy phrase Plato pleasure Plotinus poem Poesy poet poet's poetry Pope principle prose Quintilian quoted reader reality René Wellek rhetoric Richards romantic Samuel Johnson satire sense Shakespeare Socrates soul spirit style sublime symbolic symbolist T. S. Eliot term theorist theory things thought tion tragedy translation truth unity universal verbal verse W. B. Yeats whole words Wordsworth writing Yeats York