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The Pottery and Glass Trades' Freight List.

LIVERPOOL, April 27th, 1878.

In future Mails for United States will leave this port every Tuesday, Thursday, and Saturday for New York Steamers calling at Queenstown the day following as usual.

Business continues very dull, and steamers leaving port hardly get sufficient freight to ballast them.

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THE

"Pottery and Glass Trades' Jounrnl.”

PARIS EXHIBITION

NUMBER

Price 3s. 6d. Ready August 15th.

OF ALL

BOOKSELLERS

AND

NEWSAGENTS

has

The success which the "POTTERY AND GLASS TRADES' JOUNRAL” achieved during the short period of its existence has induced the Proprietors to launch out further, and to produce a Number in connection with the Paris Exhibition, which shall excel anything which has hitherto been attempted in Trade Journalism.

On the 15th August will be published THE PARIS EXHIBITION NUMBER of the "POTTERY AND GLASS TRADES' JOURNAL." It will consist of about 100 pages of letter-press, uniform in size with the Journal, but printed in fine bold type upon toned paper. It will be Illustrated by 16 pages of chromo-lithographs, executed in the same elaborate style as those now published with the Journal, and upon extra fine plate paper. All these will be descriptive of the exhibits of the most important firms of the world, and it is the hope of the Proprietors that it will form a volume not only of great value to those engaged in the Trade, but of interest to the general public.

The extensive scale upon which this work will be published will justify the Proprietors in anticipating a circulation of at least 20,000; the advantages to Advertisers will, therefore, be obvious.

ADVERTISEMENTS

will be inserted on the following scale, payable NETT, one half upon Order, and the balance upon delivery of a copy of the Publication.

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W. H. EVERETT, at the Office of the "Pottery and Glass Trades' Journal," 34, Bouverie Street, Fleet Street, E.C.

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HOME AND FOREIGN MARKETS.

MANUFACTURES

IRONSTONE,

AND

CHINA,

General Earthenware, a

EGYPTIAN BLACK AND ROCKINGHAM,

Specially adapted to the Home and Colonial trade, also the United
States of America and Continental Markets.

EDWIN J. D. BODLEY,

THE HILL POTTERY.

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BURSLEM,

STAFFORDSHIRE.

LONDON OFFICE-21 and 21, THAVIES INN, E.C.

MANUFACTURER OF CHINA FOR HOME, COLONIAL, & FOREIGN MARKETS GENERALLY. LITHOGRAPHIC SHEETS OF DESIGN.

MESSRS. ALLBUT & DANIEL

ARE PREPARED TO GIVE ESTIMATES FOR DESIGNING AND PRINTING THE ABOVE. Having considerable appliances at their command, there is no doubt but that they can compete favourably both in execution and price with anyone in the trade.

BOOKS OF DESIGNS, INCLUDING LETTER-PRESS, GOT OUT AND PRINTED TO ORDER.

Market Square and Percy Street Printing Works, HANLEY, STAFFORDSHIRE.

Pottery & Glass Trades' Journal.

A MONTHLY REVIEW

OF

THE POTTERY, GLASS & DECORATIVE TRADES.

No. 6. VOL. I.

FRAGMENTS.

in the China Shop!"

ANCIENT PROVERB.

According to M. Stanislas Julien, the translator of the Chinese History of the Imperial Factory of King-te-chin, porcelain was commonly made so far back as 185 B. C., and

therefore 1600 years before it was known to the western nations. The fine blue is thought

to be obtained by the use of Lapis Lazuli, and

the art of the process reached perfection about the end of the 17th century, and early in the 18th, after that being lost and remaining inferior in quality, until more recently, efforts have been made to recover it, but not with complete success.

The Special Correspondent of the Daily Telegraph, speaking of the Paris Exhibition, says:-"Undoubtedly the most attractive display in the English section are those contributed from our great porcelain factories."

The Mosaic work and tiles in the Prince of Wales' Pavilion, are by Messrs. Minton, Hollins & Co. The porcelain table service, vases, and a fountain in the small court adjoining are by the same firm.

Messrs. E. J. Willets & Co., of New York, importers and wholesale dealers in crockery, the oldest house in the trade in America, have effected a compromise with their European creditors at 40 cents to the dollar. The house has been in existence over half a century, has had unquestioned credit, and was rated worth from 500,000 to 1,000,000 dollars. The troubles is said to be caused by the investments of two of the partners in the Wyandotte, Kausas City, and North-Western Railroad, whose notes they endorsed. The proposed compromise is 40 cents on the dollar, all the merchandise liabilities being held in Europe. The firm is at present composed of Joseph, Thomas, and Daniel Willets, the founder of the house, Edward Willets, having died in March, 1875. In 1869 the Government brought suit for 600,000 dollars for alleged custom-house irregularities, but it was never pressed, the firm denying absolutely any complicity whatever in the

matter.

JUNE, 1878.

Many Parisian journals have been commenting on the friendly expressions of the Prince of Wales towards France, uttered at the British exhibitors' banquet. Here is one example from the Debats :-"All France will banquet offered to the Prince of Wales. The have rejoiced at reading the report of the feelings of the heir to the Crown of England towards our country had long been known,

but never, perhaps, had they been manifested so vividly and with so much fervour. 'All my heart is with France,' said the Prince. 'All who are present know that all my wishes are for the greatness and prosperity of France. M. Teissereuc de Bort was the faithful interpreter of the opinion of all when he declared that France and England were each following, although by a different road, the same political aim. Those two nations represent, in fact, in modern Europe the great traditions of Parliamentary Government, of public right, of political, religious and social freedom, and if their ancient feuds have given place to the most intimate union it is because, in spite of the diversity of their institutions and their manners, they are nowadays in perfect community of ideas and sentiments.' The reactionary journals are jubilant at the fact that the Prince of Wales did not pronounce the name of the Republic. As to ourselves, who have taken the habit of not making subtle distinctions between France and her Government, we are glad to see that the Prince of Wales does not stop at questions of political form, and that he unhesitatingly hails our country as the friend of his own.”

The following letter has been received by the secretary of the Society of Arts with reference to the visit of artisans' reporters to the Paris Exhibition :

40, Avenue de Suffren, Paris,

May 8th, 1878.

Sir, I am directed by H.R.H. the Prince of Wales to acknowledge the receipt of your letter of 16th April, on the subject of a formation of a Committee of Her Majesty's Commissioners to associate with a Committee of the Society of Arts to promote the visit of artisan reporters to the Paris Exhibition.

I am to inform you that the names of Her Majesty's Commissioners appointed for this purpose are as follows:-The Earl Spencer, K.G.; The Right Hon. Lyon Playfair, C.B., M.P.; Mr. Sampson Lloyd, M.P.; Mr. Hugh

PRICE 4d. By Post, 5d.

Birley, M.P.; Mr. Joseph Chamberlain, M.P.;
Mr. Samuel Morley, M.P.; Mr. John Mul-
holland, M.P.; Mr. A. J. Mundella, M.P.
I have the honour to be, Sir,
Your obedient servant,

P. CUNLIFFE OWEN.

P. Le Neve Foster, Esq., M.A.

Mr. Geo. Tinworth, who is the modeller of

some of the works of Messrs. Doulton, which give such charming details of scripture history, exhibits at the Paris Exhibition works which must be considered as worthy of attention amongst the curiosities of British sculpture. His style is expressive and distinctive, and although it may by some be considered rather rough, and to have no place in the region of high art, still we must do Mr. Timworth, the justice of saying that he never sought to be regarded as a sculptor, or, indeed, anything more than the hasty modeller of figure decorations intended to be always subsidiary to a general, and, it may be, ambitious design. His work on the pulpit that went to Philadelphia and his work in Messrs. Doulton's special pottery collection, is of the same kind as his "Descent from the Cross," which is here catalogued with the sculpture— alway simple, and forcible, and true in sentiment, but never elaborate, and sometimes even rude in finish, revealing in the instant of a first glance at them all they mean, and, nevertheless taking firm hold of the mind as agreeable remembrances.

Messrs. Pitman and Cuthbertson, of Newgate Street, had on view for a few days during last month a large painted glass window, which has been executed by them from the designs of Messrs. Perry and Reid. It is intended to be erected in the Catholic Apostolic Church at Hackney. The window is in three lights, and contains medallions filled with subjects taken from the life of Christ and from the Apocalypse, besides various scriptural emblems. Each light is surrounded by a rich border. The window is an excellent specimen of glass painting. All the figures and emblems are well drawn, and the colors are introduced with skill. Unlike many modern works of the kind, this window is translucent, and does not obscure the light, and it certainly is most creditable to everyone concerned in its production.

A large number of ladies and gentlemen (Sir H. Cole's) retirement. It was by means place in the Albert Hall.' This resolution assembled at Grosvenor House, on the 17th of a co-operative system which used the was seconded by Mr. Godwin, and adopted. ult. by the permission of the Duke of West- various scientific and artistic powers available The meeting was also addressed by Sir Morton minster, for the purpose of presenting to Sir in the department; the great constructive Peto, Mr. M'Leod, and Mr. Warren De la Rue, Henry Cole a testimonial, the result of an genius of Captain Fowke; the decorative and a resolution ordering the payment of the effort originated some years ago. The talent of Godfrey Sykes and his pupils, John | balance of the fund to Sir Henry Cole having memorial was in the form of a marble Gamble and Reuben Townroe, students of been carried, the proceedings closed with a bust and a memorial tablet in Della Robbia | unusual ability, trained in the Sheffield Art | vote of thanks to the Duke of Westminster for presiding on the occasion and for the active part he had taken in promoting the object from the beginning.

He

ware, containing a portrait of Sir Henry in School; with the sagacious and learned
mosaic, beneath which was the following criticism of the art director, Mr. Redgrave,
inscription :-"Erected to record the eminent that successive Lord Presidents were induced
services of Sir Henry Cole, K.C.B., who, in to cause the buildings at South Kensington
addition to other labours in the promotion of to be carried on, and many novelties in
science and art, devoted twenty years, 1853 decorative art to be first introduced into
-1873, to the promotion of the museum." England, but this system had been altered
The Hon. Secretary (Mr. Crace) stated, in and the works had stopped too. He had
response to a request by the President, that faith that the day might come when the
the total amount of subscriptions was £2924 system might be revised with further advant-
13s. 4d. The expenses have been for the age to the public taste of the country, and
monument and portrait, £323; for bust, £163; enable the Government to promote the Fine
and for general expenses, advertisements, &c. Arts, as Lord Beaconsfield, at the Royal
£213. Sir H. Cole had already received Academy, expressed his desire to see.
£2000, and £209 remained in the bank had been asked to suggest where the testi-
The Duke of Westminster, in presenting monial portrait should be placed. He hoped
the testimonial, bore testimony to the advant- he might ask that it should, when the right
ages which Sir Henry Cole had conferred time came, he permitted to rest on the walls
upon the nation in his efforts to promote the of the Museum. With respect to the bust,
developement of science and art. Some two by Mr. Boehm, after first ascertaining the
or three years ago it was stated-since the views of his Royal Highness the Prince of
year 1852-twenty new schools of design had Wales, the president of the Royal Albert
been established, and 500 night-classes for the Hall, it was intended to be offered to that
education of 180,000 boys and girls, and 1250 institution, together with a bust of General
schools, of which South Kensington was the Grey, copied by permission of the Queen.
centre. Since that time, no doubt, the num-Without the personal exertions of General
ber had greatly increased, and for this they
were in a great measure indebted to Sir Henry
Cole. Sir Henry Cole, in acknowledgment, said
his words could but feebly express his hearty
thanks to the princes, peers, commoners, men
of science, art, and literature, industrial
producers, and handworkers who had joined
in this testimonial, and especially to the Duke
of Westminster and the executive committee
for their exertions. The testimonial connected
his name with science and art and the South
Kensington Museum, but the work done had
been far less his own than the outcome of
other sympathetic agencies. The origin and
much of the progress of the Science and Art
Department and erection of the Kensington
Museum came from the Prince Consort, and
after him the work had been chiefly fostered
by Earl Glanville, who was the godfather of
the name of South Kensington. More than
twenty-five years ago Mr. Henley, agreeing
with Adam Smith's advice given a hundred
years before, enabled the carpenters and
masons and workers by rule in this country
for the first time, to learn the science and art | Cole in raising the tastes and ideas of the
of geometrical drawing. Twenty-two years
ago the second Marquis of Salisbury started the
present science system, and commenced the
first permanent buildings. Lord Glanville
largely advanced the buildings in 1858, being
aided by Mr. Lowe, a most valiant defender of
the South Kensington Museum at the time of
his connection with the Science and Art
Department. The Duke of Buckingham
sanctioned the erection of the science schools
and the great courts in 1866, and at that
point the works have stood still since his

Grey he (Sir Henry) considered the hall
could not have been built. After 50 years of
public life, with his health declining from the
constant strain of official work, he (Sir H.
Cole) felt it right to resign his duties. He
was not idle in his leisure. His health had
improved, and he hoped still to do some
useful public work. He was trying to obtain
a national recognition for music, the first and
most popular of all Fine Arts, to help Ele-
mentary Education, to become the work of
the people rather than of the State, and to
promote improved health throughout the
country. Lord Elcho then moved the follow-
ing resolution :-"That this memorial tablet,
in Della Robbia ware, containing the portrait

in mosaic of Sir Henry Cole, be offered to
the South Kensington Museum as a record of
the public services and the untiring energy of
Sir Henry Cole, and as a valuable production
of British art manufacture with the earnest
hope that it may be placed in a suitable place
in the museum." Whilst bearing testimony
to the importance of the labours of Sir Henry

Messrs. Howell and James's exhibition of art pottery at the Paris Exhibition was very much admired by the Prince and Princess of Wales. Their Royal Highnesses were pleased to hear from Mr. M'Dowell, the representative of the firm in Paris, an account of the rapid advancement of the ceramic art in England under the encouragement of the above firm, who each year hold an exhibition of the principal amateur lady painters on porcelain, in galleries added to their premises for that purpose.

A patriotic French historian-speaking of the first French Exhibition, held in Paris in the year 1798, and speaking of the exhibits— said: The English, who at that time were recognised as bearing the palm in trade, saw their star pale and fade before the finish and execution of French products; they were surpassed in the manufacture of books, files, cut-glass, and pottery, of which, until then, they had enjoyed the exclusive monopoly. The manufacturers of Sevrès and Versailles exhibited true chefs d'œuvre.

Messrs. Maw exhibit some charming works, amongst which the most noticeable are, a supurb dark green vase with a design representing Cupid lecturing, in paste. This is an original work, as are many other beautiful examples, and the price is very moderateone hundred guineas.

The Chinese and Japanese exhibits of pottery surpass in many ways the samples in our museums, public and private, with which we are familiar; and, indeed, we have here brought under view in the most convenient and agreeable manner the best examples of the arts and manufactures of two great Eastern nations, that have given freely of their ideas to the artists of the West.

From the returns appended it will be seen that there has been a large increase in the exports of earthenware and porcelain, and chiefly to France, the bulk of which was probably goods intended for the exhibition and for hotel purposes, to meet the requirements of the large influx of visitors. The fluctuations in the glass exports are not very considerable.

people, the noble lord said that to those
labours might be attributed the establishment
of museums and exhibitions in various parts
of Europe and America. Mr. Colin Minton
Campbell seconded the motion, which was
carried by acclamation. Mr. Clarence Paget
moved "That the Duke of Westminster be
invited to present the marble bust of Sir
Henry Cole to the Prince of Wales, as presi-
dent of the Albert Hall, with a request that
His Royal Highness will be graciously Earthenware £

Month of April. Four Months. 1877. 1878. 1877. 1878.

£

£

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pleased to arrange for the same a suitable and porcelain 141,852 148,902 526,545 545,729

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