Higher Lessons in English: A Work on English Grammar and Composition : in which the Science of the Language is Made Tributary to the Art of Expression : a Course of Practical Lessons Carefully Graded, and Adapted to Every Day Use in the School-roomClark & Maynard, 1883 - 282 sider The aim of this work is to make the science of the language, of which all the essentials are thoroughly presented, tributary to the art of expression. Every principle unfolded in the "Hints," and every idiom, common construction, and form, learned by the pupil in the analysis and parsing of the wide range of sentences given, is fixed in memory and, above all, in practice by varied and exhaustive drill in composition. The pupil is constantly stimulated to the attractive labor of composing sentences, arranging and rearranging their parts, contracting, expanding, punctuating, and criticizing them -- the analysis furnishing him materials for the synthesis, and the synthesis supplementing the analysis. Even if the study of grammar were only to Lodge in the memory the facts and principles of the language, we contend that this could be done only by work and composition -- this, and this only, can make them permanent possessions. The first half of the book is devoted to "The Sentence and the Parts of Speech;" the next thirty pages to "Parts of Speech Subdivided;" the next seventy to "Modifications of the Parts of Speech;" and the remaining thirty to composition. - Preface |
Inni boken
Resultat 1-5 av 32
Side 6
... whole can be more easily understood than the parts , because words can be classified only from their function in the sentence , and because the pupil should , from the outset , see that that which determines the words in the sentence ...
... whole can be more easily understood than the parts , because words can be classified only from their function in the sentence , and because the pupil should , from the outset , see that that which determines the words in the sentence ...
Side 11
... whole face ; the language of gestures by the hand , and postures by the body . The child's cry tells of its wants ; its sob , of grief ; its scream , of pain ; its laugh , of delight . The boy raises his eyebrows in surprise and his ...
... whole face ; the language of gestures by the hand , and postures by the body . The child's cry tells of its wants ; its sob , of grief ; its scream , of pain ; its laugh , of delight . The boy raises his eyebrows in surprise and his ...
Side 29
... whole of the structure which we call the sentence , though they are the underlying timbers which support the rest of the verbal bridge . Other words may be built upon them . We learned in Lesson 8 that things resemble one another and ...
... whole of the structure which we call the sentence , though they are the underlying timbers which support the rest of the verbal bridge . Other words may be built upon them . We learned in Lesson 8 that things resemble one another and ...
Side 38
... whole phrase ; and just , the preposition . 9. The Suspension Bridge is stretched across the Niagara river just below the Falls . 10. In Mother Goose the cow jumps clear over the moon . 11. The first standing army was formed in the ...
... whole phrase ; and just , the preposition . 9. The Suspension Bridge is stretched across the Niagara river just below the Falls . 10. In Mother Goose the cow jumps clear over the moon . 11. The first standing army was formed in the ...
Side 48
... whole substance of the winds is drenched and bathed and washed and winnowed and sifted through and through by this baptism in the sea . Swain . 10. The Arabian Empire stretched from the Atlantic to the Chinese Wall , and from the shores ...
... whole substance of the winds is drenched and bathed and washed and winnowed and sifted through and through by this baptism in the sea . Swain . 10. The Arabian Empire stretched from the Atlantic to the Chinese Wall , and from the shores ...
Andre utgaver - Vis alle
Higher Lessons in English: A Work on English Grammar and Composition, in ... Alonzo Reed,Brainerd Kellogg Uten tilgangsbegrensning - 1889 |
Higher Lessons in English: A Work on English Grammar and Composition, in ... Alonzo Reed,Brainerd Kellogg Uten tilgangsbegrensning - 1908 |
Higher Lessons in English: A Work on English Grammar and Composition, in ... Alonzo Reed,Brainerd Kellogg Uten tilgangsbegrensning - 1893 |
Vanlige uttrykk og setninger
adjective clause adverb clause Analysis and Parsing apples attribute complement Cæsar called capital letters changed clause expressing comma completed complex sentences compound sentences conjunctive adverbs connected CONSTRUCTION correct these errors DEFINITION.-A degree denotes diagram Direction Direction.-Change Direction.-Contract Direction.-Correct these errors Direction.-Form Direction.-Study the Caution Direction.-Write English Explanation.-The explanatory modifier following nouns friends Future Perfect Tense gender Give and illustrate give your reasons grammar independent clauses infinitive phrase interrogative interrogative word introduced Introductory language learned Lesson masculine meaning mode natural order noun clause noun or pronoun nouns and pronouns object complement omitted passive voice past tense PERFECT TENSE person plural predicate prepositional phrase Pres PRESENT PERFECT TENSE principal word pupils question rain relation Relative Pronouns Rule singing singular sounds speak speech stand subjunctive superlative tell tence things thou thought tion tive transitive verb vowel walk write
Populære avsnitt
Side 238 - To him who in the love of Nature holds Communion with her visible forms, she speaks A various language ; for his gayer hours She has a voice of gladness, and a smile And eloquence of beauty, and she glides Into his darker musings, with a mild And healing sympathy, that steals away Their sharpness ere he is aware.
Side 242 - To sit on rocks, to muse o'er flood and fell, To slowly trace the forest's shady scene, Where things that own not man's dominion dwell, And mortal foot hath ne'er or rarely been ; To climb the trackless mountain all unseen, With the wild flock that never needs a fold ; Alone o'er steeps and foaming falls to lean ; This is not solitude; 'tis but to hold Converse with Nature's charms, and view her stores unroll'd.
Side 241 - The sober herd that low'd to meet their young, The noisy geese that gabbled o'er the pool, The playful children just let loose from school...
Side 241 - That orbed maiden with white fire laden, Whom mortals call the moon, Glides glimmering o'er my fleece-like floor By the midnight breezes strewn ; And wherever the beat of her unseen feet, Which only the angels hear, May have broken the woof of my tent's thin roof, The stars peep behind her and peer ; And I laugh to see them whirl and flee Like a swarm of golden bees, When I widen the rent in my wind-built tent, Till the calm rivers, lakes, and seas, Like strips of the sky fallen through me on high,...
Side 98 - To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy, As he is very potent with such spirits, Abuses me to damn me. I'll have grounds More relative than this: the play's the thing Wherein I'll catch the conscience of the king.
Side 72 - Is this the part of wise men engaged in a great and arduous struggle for liberty? Are we disposed to be of the number of those who having eyes see not, and having ears hear...
Side 257 - gainst that season comes Wherein our Saviour's birth is celebrated, The bird of dawning singeth all night long...
Side 258 - But, look, the morn, in russet mantle clad, Walks o'er the dew of yon high eastern hill...
Side 240 - WHEN I consider how my light is spent, Ere half my days, in this dark world and wide, And that one talent which is death to hide Lodged with me useless, though my soul more bent To serve therewith my Maker, and present My true account, lest he returning chide, ' Doth God exact day-labor, light denied ?
Side 242 - Be it a weakness, it deserves some praise, We love the play-place of our early days ; The scene is touching, and the heart is stone That feels not at that sight, and feels at none.