Byron and the Limits of FictionBernard G. Beatty, Vincent Newey Liverpool University Press, 1988 - 291 sider This collection of new articles aims to answer the fundamental questions of Byron's attitude to fiction and to the limits inherent in this art form and in life itself. The book's purpose, as well as celebrating the bicentennial of Byron's birth, has been to assemble a collection of scholarly and informed articles round a particular theme. In this work the theme (given in the title) arises in two ways; first, Byron himself was passionately concerned with the nature and status of fiction and yet often sceptical of its importance. Secondly, it is a major topic of current literary criticism which is increasingly preoccupied with fictions as completely autonomous structures. Byron's poetry should be seen as a version of these concerns but also as one of the earliest deliberate challenges to them. All of Byron's major poems, together with his forays into prose fiction, are considered in this volume. Contributors pursue their own approaches but a particular emphasis of the volume as a whole is the strange immediacy of Byron's poetry, which seems to arise from both the self-consciousness of his undertaking and from his fidelity to what is rather than what is merely known or stated. The method of most contributors is to address these important topics, but substantiate their arguments by detailed reading of texts. |
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Side 115
... language , and in this comedy again lies a separation of language as meaning from language as spoken form . Forms of language are again under scrutiny in 37 : The word was formerly a ' Cicisbeo , ' But that is now grown vulgar and ...
... language , and in this comedy again lies a separation of language as meaning from language as spoken form . Forms of language are again under scrutiny in 37 : The word was formerly a ' Cicisbeo , ' But that is now grown vulgar and ...
Side 116
... language are teased loose from their content in order to be delightfully displayed . It is the delight which the poem communicates , not the disjunc- tion nor even the elements themselves . Relish reaches some kind of climax in 44 : I ...
... language are teased loose from their content in order to be delightfully displayed . It is the delight which the poem communicates , not the disjunc- tion nor even the elements themselves . Relish reaches some kind of climax in 44 : I ...
Side 209
... language which tries to efface itself as language to give way to an unmediated union beyond language is itself the barrier which always remains as the woe of an ineffaceable trace . Words are always there as remnant , ' chains of lead ...
... language which tries to efface itself as language to give way to an unmediated union beyond language is itself the barrier which always remains as the woe of an ineffaceable trace . Words are always there as remnant , ' chains of lead ...
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Fictions Limit and Edens Door BERNARD BEATTY I | 1 |
Lyric Presence in Byron from the Tales to | 39 |
The Orientalism of Byrons Giaour MARILYN | 78 |
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