And he who has but tears to give,
Must weep those tears alone.

But Thou wilt heal that broken heart,
Which, like the plants that throw
Their fragrance from the wounded part,
Breathes sweetness out of woe.

When joy no longer soothes or cheers,
And even the hope that threw
A moment's sparkle o'er our tears,
Is dimm'd and vanish'd too,

Oh, who would bear life's stormy doom,
Did not thy Wing of Love

Come, brightly wafting through the gloom

Our Peace-branch from above?

Then sorrow, touch'd by Thee, grows bright
With more than rapture's ray;

As darkness shows us worlds of light
We never saw by day!

WEEP NOT FOR THOSE.

(AIR. - AVISON.)

WEEP not for those whom the veil of the tomb,
In life's happy morning, hath hid from our eyes,
Ere sin threw a blight o'er the spirit's young bloom,
Or earth had profan'd what was born for the skies,
Death chill'd the fair fountain, ere sorrow had stain'd it;
'Twas frozen in all the pure light of its course,
And but sleeps till the sunshine of Heaven has unchain'd
To water that Eden where first was its source.

[it,

Weep not for those whom the veil of the tomb,

In life's happy morning, hath hid from our eyes, Ere sin threw a blight o'er the spirit's young bloom,

Or earth had profan'd what was born for the skies.

Mourn not for her, the young Bride of the Vale,1
Our gayest and loveliest, lost to us now,

Ere life's early lustre had time to grow pale,

And the garland of Love was yet fresh on her brow. Oh, then was her moment, dear spirit, for flying

From this gloomy world, while its gloom was unknown

And the wild hymns she warbled so sweetly, in dying,
Were echoed in heaven by lips like her own.

Weep not for her in her spring-time she flew

To that land where the wings of the soul are unfurl'd; And now, like a star beyond evening's cold dew, Looks radiantly down on the tears of this world.

THE turf shall be my fragrant shrine;

My temple, LORD! that Arch of thine;

This second verse, which I wrote long after the first, alludes to the fate of a very lovely and amiable girl, the daughter of the late Colonel Bainbrigge, who was married in Ashbourne church, October 31. 1815, and died of a fever in a few weeks after: the sound of her marriage-bells seemed scarcely out of our ears when we heard of her death. During her last delirium she sung several hymns, in a voice even clearer and sweeter than usual, and among them were some from the present collection, (particularly, "There's nothing bright but Heaven,") which this very interesting girl had often heard me sing during the summer.

My censer's breath the mountain airs,
And silent thoughts my only pray'rs.1

My choir shall be the moonlight waves,
When murm'ring homeward to their caves,
Or when the stillness of the sea,

Even more than music, breathes of Thee!

I'll seek, by day, some glade unknown,
All light and silence, like thy Throne;
And the pale stars shall be, at night,
The only eyes that watch my rite.

Thy Heaven, on which 'tis bliss to look,
Shall be my pure and shining book,
Where I shall read, in words of flame,
The glories of thy wondrous name.

I'll read thy anger in the rack

That clouds awhile the day-beam's track; Thy mercy in the azure hue

Of sunny brightness, breaking through.

There's nothing bright, above, below,
From flowers that bloom to stars that glow,
But in its light my soul can see
Some feature of thy Deity.

There's nothing dark, below, above,
But in its gloom I trace thy Love,
And meekly wait that moment, when
Thy touch shall turn all bright again!

1 Pii orant tacitè.

SOUND THE LOUD TIMBREL.

MIRIAM'S SONG.

(AIR. — AVISON.')

"And Miriam the Prophetess, the sister of Aaron, took a timbrel in her hand; and all the women went out after her with timbrels and with dances."-Exod. xv. 20.

SOUND the loud Timbrel o'er Egypt's dark sea!
JEHOVAH has triumph'd his people are free.

Sing for the pride of the Tyrant is broken,

His chariots, his horsemen, all splendid and brave— How vain was their boast, for the LORD hath but spoken, And chariots and horsemen are sunk in the wave.

Sound the loud Timbrel o'er Egypt's dark sea;
JEHOVAH has triumph'd - his people are free.

Praise to the Conqueror ! praise to the LORD!
His word was our arrow, his breath was our sword
Who shall return to tell Egypt the story

Of those she sent forth in the hour of her pride? For the LORD hath looked out from his pillar of glory2, And all her brave thousands are dashed in the tide. Sound the loud Timbrel o'er Egypt's dark sea; JEHOVAH has triumph'd — his people are free!

1 I have so much altered the character of this air, which is from the beginning of one of Avison's old-fashioned concertos, that, without this acknowledgment, it could hardly, I think, be recognised.

"And it came to pass, that, in the morning watch, the Lord looked unto the host of the Egyptians, through the pillar of fire and of the cloud, and troubled the host of the Egyptians." - Exod. xiv. 24.

GO, LET ME WEEP.

(AIR.

Go, let me weep

STEVENSON.)

there's bliss in tears,

When he who sheds them inly feels
Some ling'ring stain of early years

Effac'd by every drop that steals.
The fruitless showers of worldly woe
Fall dark to earth and never rise;
While tears that from repentance flow,
In bright exhalement reach the skies.
Go, let me weep.

Leave me to sigh o'er hours that flew
More idly than the summer's wind,
And, while they pass'd, a fragrance threw,
But left no trace of sweets behind.

The warmest sigh that pleasure heaves
Is cold, is faint to those that swell
The heart, where pure repentance grieves
O'er hours of pleasure, lov'd too well.
Leave me to sigh.

COME NOT, O LORD.

(AIR. - HAYDN.)

COME not, O LORD, in the dread robe of splendour

Thou wor'st on the Mount, in the day of thine ire; Come veil'd in those shadows, deep, awful, but tender, Which Mercy flings over thy features of fire!