Delicia, by the author of Miss MollyWilliam Blackwood and Sons Edinburgh and London, 1879 - 370 sider |
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Side 5
... face , as you can see it in the mingling of twilight and firelight , is somewhat hard , -not one , at first sight , which would attract people to pour out the tale for which they seek a sympathetic listener . No - it is not one which ...
... face , as you can see it in the mingling of twilight and firelight , is somewhat hard , -not one , at first sight , which would attract people to pour out the tale for which they seek a sympathetic listener . No - it is not one which ...
Side 9
... face was so slight as to be scarcely perceptible as her guest was ushered into the room , the footman saying as he opened the door , " Miss Arbuthnot . " How was it , I wonder , that with her natural unsociability , Delicia had ...
... face was so slight as to be scarcely perceptible as her guest was ushered into the room , the footman saying as he opened the door , " Miss Arbuthnot . " How was it , I wonder , that with her natural unsociability , Delicia had ...
Side 11
... face and figure . " Where have you been this afternoon that you are so smartly dressed ? " asked Delicia , looking admiringly at the delicately tinted face lifted to hers . " I have been forming part of an audience at THE HOUR . 11.
... face and figure . " Where have you been this afternoon that you are so smartly dressed ? " asked Delicia , looking admiringly at the delicately tinted face lifted to hers . " I have been forming part of an audience at THE HOUR . 11.
Side 19
... face rather too thin for actual beauty , but an interesting face nevertheless , with its sallow com- plexion and dark - eyes . All the features , taken separately , are nearly perfect ; and yet , considered as a whole , the effect is ...
... face rather too thin for actual beauty , but an interesting face nevertheless , with its sallow com- plexion and dark - eyes . All the features , taken separately , are nearly perfect ; and yet , considered as a whole , the effect is ...
Side 21
... face were all that was needed in his vis - à - vis . Looking at them thus , he , with his slender hands outstretched to the blaze , speaking in that low , soft , confiding voice which is one of his greatest charms , and then from him to ...
... face were all that was needed in his vis - à - vis . Looking at them thus , he , with his slender hands outstretched to the blaze , speaking in that low , soft , confiding voice which is one of his greatest charms , and then from him to ...
Vanlige uttrykk og setninger
amused Anne Square answer asked Betty's Blackwood's Magazine bright Christopher Cicely Arbuthnot Cicely's cloth colour cried Crown 8vo Cyril Stevens Daniel Deronda dark dear Delicia Mainwaring door down-stairs drawing-room Elizabeth Stevens Elliot Engravings face fancy father Fcap feel French morocco Fullerton GEORGE ELIOT girl glad good-bye hand happy head heart hope hour Illustrations J. G. Lockhart Jessie John Galt knew late laughed lifted light listening look mind minute Miss Arbuthnot Miss Mainwaring Miss Mainwaring's Miss Stevens never night once paused perhaps Philip Rayton pity pleasant post 8vo pretty question round Scotland Second Edition seemed sister smile sorrow speak spoke stood story sure Susy sympathy talk tears tell thing Third Edition thought tion told tone trouble turned University of Edinburgh voice vols whilst wife wish woman wonder words young
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