Thomas Gray's Elegy Written in a Country ChurchyardHarold Bloom Chelsea House Publishers, 1987 - 151 sider |
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Side 71
... living and dead in their obscurity , and painfully unlike them in his discontent , and that he is really mourn- ing his own repressed potential . The opening four stanzas consis- tently show his separation from his environment . He is a ...
... living and dead in their obscurity , and painfully unlike them in his discontent , and that he is really mourn- ing his own repressed potential . The opening four stanzas consis- tently show his separation from his environment . He is a ...
Side 75
... living , is changing . He had felt that " Mem'ry o'er their Tomb no Trophies raise " ( 38 ) ; he now feels that the " frail memorial [ is ] still erected nigh " ( 78 ) and reaches out to the passing visitor . He had felt that it was a ...
... living , is changing . He had felt that " Mem'ry o'er their Tomb no Trophies raise " ( 38 ) ; he now feels that the " frail memorial [ is ] still erected nigh " ( 78 ) and reaches out to the passing visitor . He had felt that it was a ...
Side 76
Harold Bloom. munity between the living and the dead , and does so by attributing the fire of life to the dead and the expiring ashes to the living . It also is one of the most tortured and misunderstood lines in the Gray canon , and one ...
Harold Bloom. munity between the living and the dead , and does so by attributing the fire of life to the dead and the expiring ashes to the living . It also is one of the most tortured and misunderstood lines in the Gray canon , and one ...
Innhold
Grays Personal Elegy | 39 |
A Poem of Moral Choice | 69 |
Instability in Grays | 83 |
Opphavsrett | |
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appears becomes beginning clear close concern conclusion contrast conventional Country Churchyard course critics curfew darkness dead death described desire earlier effect elegist English epitaph Eton example expression fact fame fate feeling figure final fire forefathers grave Gray Gray's Elegy human humble imaginative implied important isolation Johnson kind kindred spirit later lead limited lines literary living look Lycidas lyric meaning memorial Milton mind moral mourned mute narrator nature never noted object obscurity opening original pastoral perhaps poem poem's poet poet's poetic poetry poor possible present Proud question reader reasons relate remains rest rich rustics seems seen sense setting speaker spirit stanza structure suggests swain thee theme thing thought tion tomb tradition truth University villagers virtues voice West whole Wishes writing written youth