Thomas Gray's Elegy Written in a Country ChurchyardHarold Bloom Chelsea House Publishers, 1987 - 151 sider |
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Side 75
... Tomb no Trophies raise " ( 38 ) ; he now feels that the " frail memorial [ is ] still erected nigh " ( 78 ) and reaches out to the passing visitor . He had felt that it was a fault that " pealing anthems " did not swell " the note of ...
... Tomb no Trophies raise " ( 38 ) ; he now feels that the " frail memorial [ is ] still erected nigh " ( 78 ) and reaches out to the passing visitor . He had felt that it was a fault that " pealing anthems " did not swell " the note of ...
Side 76
... tomb the voice of Nature cries Awake , and [ & in the letter ] faithful to her wonted Fires . The confusing comma and the entirely different line obliterate the speaker's change in character as exemplified in the shift from they to our ...
... tomb the voice of Nature cries Awake , and [ & in the letter ] faithful to her wonted Fires . The confusing comma and the entirely different line obliterate the speaker's change in character as exemplified in the shift from they to our ...
Side 133
... tomb no trophies raise , Where through the long - drawn aisle and fretted vault The pealing anthem swells the note of praise . Can storied urn or animated bust Back to its mansion call the fleeting breath ? Can Honor's voice provoke the ...
... tomb no trophies raise , Where through the long - drawn aisle and fretted vault The pealing anthem swells the note of praise . Can storied urn or animated bust Back to its mansion call the fleeting breath ? Can Honor's voice provoke the ...
Innhold
Grays Personal Elegy | 39 |
A Poem of Moral Choice | 69 |
Instability in Grays | 83 |
Opphavsrett | |
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appears becomes beginning clear close concern conclusion contrast conventional Country Churchyard course critics curfew darkness dead death described desire earlier effect elegist English epitaph Eton example expression fact fame fate feeling figure final fire forefathers grave Gray Gray's Elegy human humble imaginative implied important isolation Johnson kind kindred spirit later lead limited lines literary living look Lycidas lyric meaning memorial Milton mind moral mourned mute narrator nature never noted object obscurity opening original pastoral perhaps poem poem's poet poet's poetic poetry poor possible present Proud question reader reasons relate remains rest rich rustics seems seen sense setting speaker spirit stanza structure suggests swain thee theme thing thought tion tomb tradition truth University villagers virtues voice West whole Wishes writing written youth