The Works of Sir Joshua Reynolds, Knight ; Late President of the Royal Academy: Containing His Discourses ; Idlers ; A Journey to Flanders and Holland, and His Commentary on Du Fresnoy's Art of Painting; Printed from His Revised Copies, (with His Last Corrections and Additions) ... To which is Prefixed an Account of the Life and Writings of the Author by Edmond Malone, Esq. One of His Executors..
T. Cadell and W. Davies, in the Strand, 1809
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Academy acknowledged acquired admirable advantage ages altar angels animated ANTWERP appears artist attempted attention attitude beauty body called certainly character Christ church colouring common composition considered dead defect DISCOURSE drapery drawing drawn dress effect equally excellence expression figure finished genius give given grace ground habit hand head higher highest idea imagination imitation introduced invention Italy John kind least light likewise look manner master means merit method Michael Angelo mind minute nature necessary never object observed opinion original painted painter particular perfect perhaps picture Poetry portrait possessed practice present principles produced proper Raffaelle reason received remarkable represented Rubens rules Saint Sculpture seems seen sense side style supposed taste thing thought tion Titian true truth Vandyck Virgin whole wish woman young
Side 149 - Academy soon after his death by its truly exalted president, it is said of him, " that if ever this nation should produce genius sufficient to acquire to us the honourable distinction of an English school, the name of Gainsborough will be transmitted to posterity in the history of the art among the first of that rising name.
Side 235 - The Italian, attends only to the invariable, the great and general ; ideas which are fixed and inherent in universal nature; the Dutch, on the contrary, to literal truth and a minute exactness in the detail, as I may say, of nature modified by accident. The attention to these petty peculiarities is the very cause of this naturalness so much admired in the Dutch pictures, which, if we suppose it to be a beauty, is certainly...
Side 221 - I was much pleased with your ridicule of those shallow criticks, whose judgment, though often right as far as it goes, yet reaches only to inferior beauties, and who, unable to comprehend the whole, judge only by parts, and from thence determine the merit of extensive works.
Side 119 - Painting is not only to be considered as an imitation, operating by deception, but that it is, and ought to be, in many points of view, and strictly speaking, no imitation at all of external nature. Perhaps it ought to be as far removed from the vulgar idea of imitation, as the refined...
Side 120 - I shall now produce some instances to show, that they, as well as our own art, renounce the narrow idea of nature, and the narrow theories derived from that mistaken principle, and apply to that reason only which informs us not what imitation is— a natural representation of a given object— but what it is natural for the imagination to be delighted with.
Side 231 - ... minute exactness in the detail, as I may say, of Nature modified by accident. The attention to these petty peculiarities is the very cause of this naturalness so much admired in the Dutch pictures, which, if we suppose it to be a beauty, is certainly of a lower order, which ought to give place to a beauty of a superior kind, since one cannot be obtained but by departing from the other.
Side 57 - On whatever account we value these drawings, it is certainly not for high finishing, or a minute attention to particulars. Excellence in every part, and in every province of our art, from the highest style of history down to the resemblances of still-life, will depend on this power of extending the attention at once to the whole, without which the greatest diligence is vain.
Side 241 - The black and white nations must, in respect of beauty, be considered as of different kinds, at least a different species of the same kind ; from one of which to the other, as I observed, no inference can be drawn. Novelty is said to be one of the causes of beauty : that novelty is a very sufficient reason why we should admire, is not denied ; but, because it is uncommon, is it, therefore, beautiful? The beauty that is produced by...
Side 222 - Idler, and love to give my judgment, such as it is, from my immediate perceptions, without much fatigue of thinking; and I am of opinion, that if a man has not those perceptions right, it will be vain for him to endeavour to supply their place by rules, which may enable him to talk more learnedly, but not to distinguish more acutely.
Side 115 - It appears to me, therefore, that our first thoughts, that is, the effect which any thing produces on our minds, on its first appearance, is never to be forgotten ; and it demands for that reason, because it is the first, to be laid up with care. If this be not done, the artist may happen to impose on himself by partial reasoning; by a cold consideration of those animated thoughts which proceed, not perhaps from caprice or rashness (as, he may afterwards conceit), but from the...