at Hengwrt till within the last few years, when it was bequeathed by Sir Robert Vaughan of Hengwrt to W. W. E. Wynne, Esq. of Peniarth, in whose possession it now is.

In the following century various collections were made, and among others some valuable MSS. became the property of Jesus College, Oxford. The collection of the Earl of Pembroke at Raglan Castle was destroyed by fire in the time of Oliver Cromwell; and a similar fate overtook two of these later collections, which had become the property of Sir Watkin Williams Wynne, and were preserved at Wynnstay, but which were likewise destroyed by fire. Other collections passed into the British Museum, and the principal collections of Welsh MSS. are now the Hengwrt collection at Peniarth, those in the British Museum, the MSS. at Jesus College, and those belonging to Lord Mostyn, Mr. Panton of Plas Gwyn, and others.

In the Hengwrt collection were preserved three ancient MSS., termed the Black Book of Caermarthen, the Book of Aneurin, and the Book of Taliessin, containing a considerable collection of Welsh poetry bearing marks of antiquity; and in the library of Jesus College is a MS. which contains similar poems, termed the Red Book of Hergest. These poems are some of a historic character, and others not so, and are attributed, either by their rubric, by the title of the MS., or by tradition, to four bards termed Myrddin, Aneurin, Taliessin, and Llywarch Hen, who are supposed to have lived in the sixth century.

Two of these MSS. are still in the Hengwrt collection, and of one of them we know the history: the Black Book of Caermarthen belonged to the Priory of Black Canons at Caermarthen, and was given by the Treasurer of the Church of St. Davids to Sir John Price, a native of Breconshire, who was one of the commissioners appointed by King Henry the Eighth ; the other is the Book of Taliessin, and it is not known how it was acquired.

The Book of Aneurin is now the property of Sir Thomas Phillipps of Middlehill.

The Red Book of Hergest is said to have been so termed from its having been compiled for the Vaughans of Hergest Court, Herefordshire, and seems to have come to Oxford from the Margam Collection in South Wales.

It is these four MSS.-the Black Book of Caermarthen, written in the reign of Henry the Second (1154- ✔ 1189); the Book of Aneurin, a MS. of the latter part of the thirteenth century; the Book of Taliessin, a MS. of the beginning of the fourteenth century; and the Red Book of Hergest, a MS. compiled at different times in the fourteenth and fifteenth centuries-that are here termed THE FOUR ANCIENT BOOKS OF WALES, and it is with the ancient poems contained in these four MSS. that we have now to do.

Numerous transcripts of these poems are to be found in other Welsh MSS., but undoubtedly it is in these four MSS. that the most ancient texts of the poems are to be found; and, in most cases, those in the other

MSS. are not independent texts, but have obviously, with more or less variation, been transcribed from these. The contents of these MSS. remained little known till the publication of the Archæologia Britannica in 1707, by Edward Lhuyd, who had examined all the collections which were accessible, and the account which he included in his work of the Welsh MSS. attracted some attention towards them, but none of the poems were printed till the middle of the century, when the publication of the poems of Ossian by James Macpherson, and the sudden popularity they acquired, gave a temporary value to Celtic poetry, and led to a desire on the part of the Welsh to show that they were likewise in possession of a body of native poems not less interesting than the Highland, and with better claims to authenticity. In 1764, the Rev. Evan Evans published his Specimens of the Poetry of the Ancient Welsh Bards; and though they mainly embraced poems written in the twelfth and subsequent centuries, translated in the style of Macpherson's Ossian, he annexed a Latin dissertation, De Bardis, in which he printed ten of the stanzas of the great poem of the Gododin, and a stanza from the Avallenau, as specimens of the older poems, with Latin translations. He was followed by Edward Jones, who, in his Musical and Poetical Relics of the Welsh Bards, published in 1784, printed a part of the Gododin, three of the poems of Taliessin-viz. the Battle of Argoed Llwyfain, the Battle of Gwenystrad, and the Mead song, one of the poems of Llywarch Hen, with metrical transla

tions, and part of the Avallenau, with a more literal prose translation by Mr. Edward Williams. He was likewise assisted in his work by Dr. W. Owen, afterwards Dr. Owen Pughe, who, a few years afterwards, published five of the poems of Taliessin in the Gentleman's Magazine for the years 1789 and 1790, being the Ode to Gwallawg, the Death-Song of Owen, the Battle of Dyffryn Garant, the Battle of Gwenystrad, and the Gorchan Cynvelyn, with English translations, These translations, however, were too diffuse and too much tainted by a desire to give the passages a mystic meaning, to convey a fair idea of the real nature of the poems.

In 1792, Dr. Owen Pughe published The Heroic Elegies, and other pieces of Llywarch Hen, with a much more literal English version. The work contains a pretty complete collection of the poems attributed to Llywarch Hen, but it is not said from what MS. the text was printed, while the notes contain collations with the Black Book of Caermarthen and the Red Book of Hergest.*

At length, in the year 1801, the text of the whole of these poems was given to the world, through the munificence of Owen Jones, a furrier in Thames Street,

* It is remarkable that there is no reference to readings in the Llyfr du in the poems which are actually to be found there, while in six poems which are not in the Black Book, the foot of the page is full of references to the Llyfr du for various readings. These various readings, so far as I have been able to judge, correspond with the Red Book of Hergest, while those attributed to the Llyfr coch are not to be found there.

London, who, in that and subsequent years, published the Myvyrian Archaeology of Wales, containing the chief productions of Welsh literature. He was assisted by Mr. Edward Williams of Glamorgan and Dr. Owen Pughe; but though the text of almost all of these poems is given, it is not said from what particular MSS. they were printed, and no materials are afforded for discriminating between what are probably old and what are spurious. The text is unaccompanied by translations.

If the publication of the poems of Ossian thus drew attention to these ancient Welsh poems, the controversy which followed on the poems drew forth an able vindication of the genuine character of the latter. Sharon Turner, in his History of the Anglo-Saxons, the first edition of which appeared in 1799, founded upon some of these poems as historical documents. He quoted the Death-Song of Geraint as containing the account of a real battle at Longporth, or Portsmouth, between Cerdic, the founder of the kingdom of Wesser, and the Britons. He referred to the poems of Taliessin on the battles of Argoed Llwyfain and Gwenystrad as real history, and he considered the great poem of the Gododin by Aneurin as describing a real war between the Britons and the Angles of Ida's kingdom. This drew upon him the criticism of the two chief opponents of the claims of Ossian-viz. John Pinkerton and Malcolm Laing-who declared that these Welsh poems were equally unworthy of credit. In consequence of this attack,