Dionysius Longinus On the SublimeF.C. and J. Rivington, 1819 - 223 sider |
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Side vi
... 18. - Of Question and Interrogation 19. Of Asyndetons 20. - Of Heaps of Figures ..... 21. - That Copulatives weaken the style 17. - That Figures and Sublimity mutually as- SECT . 22. - Of Hyperbatons . 23. — Of vi PREFACE .
... 18. - Of Question and Interrogation 19. Of Asyndetons 20. - Of Heaps of Figures ..... 21. - That Copulatives weaken the style 17. - That Figures and Sublimity mutually as- SECT . 22. - Of Hyperbatons . 23. — Of vi PREFACE .
Side viii
... Style diminishes the Sublime .. • 43 .-- That low terms blemish the Sublime . 44. - The scarcity of sublime writers accounted ... for SOME ACCOUNT OF THE -LIFE , WRITINGS , & CHARACTER , OF LONGINUS . THERE is no part of history more ...
... Style diminishes the Sublime .. • 43 .-- That low terms blemish the Sublime . 44. - The scarcity of sublime writers accounted ... for SOME ACCOUNT OF THE -LIFE , WRITINGS , & CHARACTER , OF LONGINUS . THERE is no part of history more ...
Side 14
... style and pe- culiar turn of thought of them all , and could discern every beauty or blemish in every composition . In vain might inferior critics exclaim against this monopoly of judgment . Whatever objections they raised against it ...
... style and pe- culiar turn of thought of them all , and could discern every beauty or blemish in every composition . In vain might inferior critics exclaim against this monopoly of judgment . Whatever objections they raised against it ...
Side 28
... style is masterly , enlivened by variety , and flexible with ease . There is no beauty pointed out by him in any other , which he does not imitate , and frequently excel , whilst he is making remarks upon it . How he ad- mires and ...
... style is masterly , enlivened by variety , and flexible with ease . There is no beauty pointed out by him in any other , which he does not imitate , and frequently excel , whilst he is making remarks upon it . How he ad- mires and ...
Side 46
... style is possessed of all the sublimity of his subject . Accordingly , in this passage , to express the power of the Sublime , he has made use of his words , with all the art and propriety imaginable . Another writer would have said ...
... style is possessed of all the sublimity of his subject . Accordingly , in this passage , to express the power of the Sublime , he has made use of his words , with all the art and propriety imaginable . Another writer would have said ...
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Vanlige uttrykk og setninger
admiration Æneid Amphicrates appear Asyndetons Athenians audience Aurelian Bacchylides beauty bold Cæsar Cecilius censure Cicero commend composition critic Demosthenes dignity Dionysius Dionysius of Halicarnassus discourse Divine earth eloquence endeavours Euripides exalted excel expressions eyes Figure fire force fury genius give glory gods grace grand grandeur greatest heav'n hence Herodotus Homer honour hurried Hyperbaton Hyperbole Hyperides Iliad Images imagination imitation instance Isocrates judge judgment judicious labour learned liberty lofty Longinus Lord lost Lysias manner means ment Metaphors Milton mind nature never noble observed Odyssey opinion orator passage passion Pathetic Pearce person Phaëton Philistus Plato poet pomp proper Quinctilian raise reason remark says SECTION sedate sense sentiments Shakespeare shew sions Sophocles soul speak spirit strike style Sublime Suidas sweet taste thee Theopompus things thou thought Thucydides tion translation Treatise true Sublime turn Virgil whole words writers Xenophon Zenobia