VII. The wily shafts of state, those jugglers' tricks, (As in a theatre the ignorant fry, Because the cords escape their eye, How plain I see through the deceit! The thoughts of monarchs and designs of states! How the mouse makes the mighty mountains shake! Away the frighten'd peasants fly, Scared at th' unheard-of prodigy, Expect some great gigantic son of earth; Lo! it appears! See how they tremble! how they quake! Out starts the little mouse, and mocks their idle fears. VIII. Then tell, dear favorite Muse What serpent's that which still resorts, Still lurks in palaces and courts? Take thy unwonted flight, And on the terrace light. See where she lies! See how she rears her head, And rolls about her dreadful eyes, To drive all virtue out, or look it dead! So he wore his within, Made up of virtue and transparent innocence; And almost got priority of sight, He ne'er could overcome her quite, In pieces cut, the viper still did reunite: Till, at last, tired with loss of time and ease, Resolved to give himself, as well as country, peace. IX. Sing, beloved Muse! the pleasures of retreat, And in some untouch'd virgin strain Show the delights thy sister Nature yields; Sing of thy vales, sing of thy woods, sing of thy fields; Go, publish o'er the plain How mighty a proselyte you gain; Thy Pegasus, like an unruly horse, To the loved pastures where he used to feed, Wake from thy wanton dreams, Come from thy dear-loved streams, Oft she looks back in vain, Oft 'gainst her fountain does complain, And softly steals in many windings down, As loth to see the hated court and town; And murmurs as she glides away. In this new happy scene X. Are nobler subjects for your learned pen; More than your predecessor Adam knew; Whatever serves for innocent emblems of the court; (Whose well-compacted forms escape the light, Shall ere long grow into a tree; Whence takes it its increase, and whence its birth, How some go downward to the root, Some more ambitiously upward fly, And form the leaves, the branches, and the fruit. XI. Shall I believe a spirit so divine Was cast in the same mould with mine? Why then does Nature so unjustly share Among her elder sons the whole estate, And all her jewels and her plate? Poor we cadets of Heaven, not worth her care, Take up at best with lumber and the leavings of a fato: Some she binds 'prentice to the spade, Some she does to Egyptian bondage draw, Bids us make bricks, yet sends us to look out for straw: To dig the leaden mines of deep philosophy; And when I almost reach the shore, Straight the Muse turns the helm, and I launch out again; And yet, to feed my pride, Whene'er I mourn, stops my complaining breath, With promise of a mad reversion after death. XII. Then, sir, accept this worthless verse, The tribute of an humble Muse, 'Tis all the portion of my niggard stars; Nature the hidden spark did at my birth infuse, And since too oft debauch'd by praise, 'Tis now grown an incurable disease: In vain all wholesome herbs I sow, Seeds, and runs up to poetry. ODE TO KING WILLIAM, ON HIS SUCCESSES IN IRELAND. The recovery of this Ode was owing to the exertions of M. Nichol. (See his select collection of poems, 1778.) To purchase kingdoms and to buy renown Your matchless courage with your prudence joins Had you by dull succession gain'd your crown, You saw how near we were to ruin brought, Britannia stripp'd of her sole guard, the laws, You straight stepp'd in, and from the monster's jaws Nor this is all; as glorious is the care To preserve conquests, as at first to gain: When Schomberg started at the vast design: Th' impulse, the fight, th' event, were wholly thine. You need but now give orders and command, To interrupt the fortune of your course: Boldly we hence the brave commencement date ODE TO THE ATHENIAN SOCIETY.' I. Moor-park, Feb. 14, 1691, As when the deluge first began to fall, That mountain which was highest first of all To bless the primitive sailor's weary sight; And 'twas, perhaps, Parnassus, if in height And nigh to heaven as is its name; "I have been told that Dryden, having perused these verses, said 'Cousin Swift, you will never be a poet; and that this denunciation was the motive of So, after th' inundation of a war, When Learning's little household did embark, With her world's fruitful system. in her sacred ark, Philosophy's exalted head appears And the Dove-Muse will now no longer stay, To show the flood begins to cease, And brings the dear reward of victory and peace. II. The eager Muse took wing upon the waves' decline, On the high top of peaceful Ararat; And pluck'd a laurel branch (for laurel was the first that grew, The first of plants after the thunder, storm, and rain), And thence, with joyful, nimble wing, Flew dutifully back again, And made an humble chaplet for the king.1 And the Dove-Muse is fled once more, (Glad of the victory, yet frightened at the war,) And now discovers from afar A peaceful and a flourishing shore: No sooner did she land On the delightful strand, Than straight she sees the country all around, Scatter'd with flow'ry vales, with fruitful gardens crown'd, And many a pleasant wood; As if the universal Nile Had rather water'd it than drown'd: It seems some floating piece of Paradise, Preserved by wonder from the flood, Long wandering through the deep, as we are told And the transported Muse imagined it When, with amazing joy, she hears An unknown music all around, Charming her greedy ears With many a heavenly song Of nature and of art, of deep philosophy and love; In vain pursues the music with her longing eye, The Ode I writ to the king in Ireland. - SWIFT. |