Lot's Daughters: Sex, Redemption, and Women's Quest for AuthorityStanford University Press, 2005 - 432 sider Lot's Daughters explores the relationship of fathers and daughters and of older men and younger females in history, life, art, and culture. This ambitious, daringly original book shows how humanity has remembered and been formed by Lot's daughters—how the shocking biblical text describing the crucial relationship between that patriarch and his daughters has haunted the human imagination and shaped history and behavior right down to the present. Robert Polhemus terms this ongoing human drama—the mutual attraction between young females and older males—the "Lot complex," and illustrates his theory with a wide-ranging series of portraits that analyze and dramatize the lives and work of famous men and women who, in very diverse ways, have made the world care more deeply about the destiny of daughters. In witty, probing chapters on an entertaining selection of daughters that includes women as varied as Lewis Carroll's Alice, Shirley Temple, Mia Farrow, and Monica Lewinsky, Polhemus tells the story of men's ambivalent desire for young women and of women's quest for authority. It is an indispensable work on male-female relations. |
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Side 297
... Farrow had Mia sent to a strict Catholic school in Surrey . There she showed dramatic flair , made friends , and found she could survive Spartan conditions . Like many a Catholic girl , she vowed to be a nun , but then found she lacked ...
... Farrow had Mia sent to a strict Catholic school in Surrey . There she showed dramatic flair , made friends , and found she could survive Spartan conditions . Like many a Catholic girl , she vowed to be a nun , but then found she lacked ...
Side 308
... Farrow as Cecelia in the last scene watching Fred Astaire , her tear - stained , star- struck face slowly changing from grief to vicarious pleasure , you can see how deeply the director and his own star could merge with one another ...
... Farrow as Cecelia in the last scene watching Fred Astaire , her tear - stained , star- struck face slowly changing from grief to vicarious pleasure , you can see how deeply the director and his own star could merge with one another ...
Side 310
... Farrow , and , through them , projected Rita and himself into Cecelia . Allen said that he was stunned by the glamour of Manhattan when he first saw it as a 5 - year - old with his father , and that from then on he was in love with New ...
... Farrow , and , through them , projected Rita and himself into Cecelia . Allen said that he was stunned by the glamour of Manhattan when he first saw it as a 5 - year - old with his father , and that from then on he was in love with New ...
Innhold
Part I | 5 |
Faithful Interpretations | 48 |
A Family Museum | 72 |
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Lot's Daughters: Sex, Redemption, and Women’s Quest for Authority Robert M. Polhemus Begrenset visning - 2005 |
Lot's Daughters: Sex, Redemption, and Women's Quest for Authority Robert M. Polhemus Utdragsvisning - 2005 |
Vanlige uttrykk og setninger
abuse Austen become cave century chapter Charlotte Brontë child Clinton culture Daddy daugh desire Dora Dora's dream Emily Brontë erotic faith fantasy Farrow father father-daughter feel female figure film Finnegans Wake Frau Freud gender Genesis Heathcliff Herr Herron human husband imagination incest Jane Austen Jane Eyre kiss later Lear Lewinsky Linda Linda Tripp lives look Lot complex Lot story Lot's daughters Lot's wife Louise Lasser male Mansfield Park married Mary Shelley Mathilda mean memory Mia Farrow Mia's modern Monica moral mother move movie myth novel older passion patriarchal picture play preserve psychological relationship role Rosemary's Baby says scene seduce seed seems sexual Shirley Temple Shirley's shows sister social Sodom Soon-Yi star symbolic talk tells Thereafter Johnnie things tion Tripp turn women Woody Allen words writing Wuthering Heights young woman younger