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acquainted action admirable Ancients appear Author Beauties believe called certainly character Comedy common conjecture considered copies correct criticism edition editor English equal Errors Essay evidence excellence expression Falstaff Farmer faults force Genius give given hand hath Henry History honour ignorance Imitation John Johnson judgment kind King knowledge known labour language Latin learning least less letter manner matter mean mind nature never obscure observation occasion opinion original particular passage performance perhaps persons piece Plautus plays Poet Pope Pope's Preface present printed probably produced prove publick published question reader reason reference remark Roman rules says scenes seems Shakespeare shew sometimes Stage supposed taken Theobald thing thought tion Tragedy translation true truth Warburton whole write written
Side 103 - This, therefore, is the praise of Shakespeare, that his drama is the mirror of life; that he who has mazed his imagination in following the phantoms which other writers raise up before him may here be cured of his delirious ecstasies by reading human sentiments in human language, by scenes from which a hermit may estimate the transactions of the world and a confessor predict the progress of the passions.
Side lxii - All the world's a stage, And all the men and women merely players: They have their exits, and their entrances; And one man in his time plays many parts, His acts being seven ages. At first, the infant, Mewling and puking in the nurse's arms...
Side 110 - A quibble is the golden apple for which he will always turn aside from his career, or stoop from his elevation. A quibble poor and barren as it is, gave him such delight, that he was content to purchase it, by the sacrifice of reason, propriety and truth. A quibble was to him the fatal Cleopatra for which he lost the world, and was content to lose it.
Side 103 - Even where the agency is supernatural the dialogue is level with life. Other writers disguise the most natural passions and most frequent incidents; so that he who contemplates them in the book will not know them in the world...
Side 101 - ... always find. His persons act and speak by the influence of those general passions and principles by which all minds are agitated, and the whole system of life is continued in motion. In the writings of other poets a character is too often an individual: in those of Shakespeare it is commonly a species.
Side 121 - perhaps we are not to look for his beginning, like those of other writers, in his least perfect works ; art had so little, and nature so large a share in what he did that for aught I know," says he, " the performances of his youth, as they were the most vigorous, were the best.
Side 106 - If there be, what I believe there is, in every nation, a style which never becomes obsolete, a certain mode of phraseology so consonant and congenial to the analogy and principles of its respective language as to remain settled and unaltered; this style is probably to be sought in the common intercourse of life, among those who speak only to be understood, without ambition of elegance.
Side 109 - ... while, and if it continues stubborn, comprises it in words such as occur, and leaves it to be disentangled and evolved by those who have more leisure to bestow upon it. Not that always where the language is intricate the thought is subtle, or the image always great where the V/V line is bulky ; the equality of words to things is very often neglected, and trivial sentiments and vulgar ideas disappoint the attention, to which they are recommended by sonorous epithets and swelling figures.
Side 112 - Delusion, if delusion be admitted, has no certain limitation; if the spectator can be once persuaded, that his old acquaintance are Alexander and Caesar, that a room illuminated with candles is the plain of Pharsalia, or the bank of Granicus, he is in a state of elevation above the reach of reason, or of truth, and from the heights of empyrean poetry, may despise the circumscriptions of terrestrial nature.