Eighteenth Century Essays on ShakespeareDavid Nichol Smith J. MacLehose and Sons, 1903 - 358 sider |
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Side x
... Characters of Shakespeare's Plays , " that some little jealousy of the character of the national understanding was not without its share in producing the following undertaking , for we were piqued that it should be reserved for a ...
... Characters of Shakespeare's Plays , " that some little jealousy of the character of the national understanding was not without its share in producing the following undertaking , for we were piqued that it should be reserved for a ...
Side xiii
... character . The following remarks take these questions in order ; and a concluding section gives an account of the in- dividual essays here reprinted . Though the phases are closely connected and overlap to some extent , the order in ...
... character . The following remarks take these questions in order ; and a concluding section gives an account of the in- dividual essays here reprinted . Though the phases are closely connected and overlap to some extent , the order in ...
Side xxx
... character of Polonius . No- thing so good is to be found even in Wilhelm Meister's the generality is esteemed as the best impression of Shakespeare " ( Shakespeare Restored , p . 70 ) . admirable examination of Hamlet . But here praise ...
... character of Polonius . No- thing so good is to be found even in Wilhelm Meister's the generality is esteemed as the best impression of Shakespeare " ( Shakespeare Restored , p . 70 ) . admirable examination of Hamlet . But here praise ...
Side xxxii
... characters now become the main topics of criticism . In the five essays on the Tempest and King Lear contributed by Joseph Warton to the Adventurer in 1753-54 , we can recognise the coming change in critical methods . He began them by ...
... characters now become the main topics of criticism . In the five essays on the Tempest and King Lear contributed by Joseph Warton to the Adventurer in 1753-54 , we can recognise the coming change in critical methods . He began them by ...
Side xxxiii
... characters from without : he lacks the intuitive sympathy which is the secret of later criticism . To him the play ... character . The mechanical part , he observes , in which alone Shakespeare is defective , is less the work of genius ...
... characters from without : he lacks the intuitive sympathy which is the secret of later criticism . To him the play ... character . The mechanical part , he observes , in which alone Shakespeare is defective , is less the work of genius ...
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acquainted admirable Ancients appear Author Beauties Ben Johnson Cæsar censure character Comedy Comedy of Errors common conjecture copies Coriolanus correct criticism Double Falshood drama Dryden Dunciad edition of Shakespeare Editor emendation English Errors Essay Falstaff Farmer faults Genius give Greek Hamlet hath Henry honour humour Imitation Johnson judgment Julius Cæsar knowledge labour language Latin learning letter LEWIS THEOBALD Love's Labour's Lost manner nature obscure observation occasion opinion original passages passions perhaps Plautus Players plays Plutarch Poems Poet Poetry Pope Pope's edition praise Preface printed publick published reader reason Remarks Roman Rowe's rules Rymer says scenes seems shew shewn Sir John Sir John Falstaff Sir Thomas Hanmer Stage Stratford supposed taste Theobald thing thought thro tion Tragedy translation Troilus and Cressida truth Upton verse Warburton whole William Shakespeare WILLIAM WARBURTON words write written
Populære avsnitt
Side 103 - This, therefore, is the praise of Shakespeare, that his drama is the mirror of life; that he who has mazed his imagination in following the phantoms which other writers raise up before him may here be cured of his delirious ecstasies by reading human sentiments in human language, by scenes from which a hermit may estimate the transactions of the world and a confessor predict the progress of the passions.
Side 7 - Good friend, for Jesus' sake forbear To dig the dust enclosed here : Blest be the man that spares these stones, And curst be he that moves my bones.
Side lxii - All the world's a stage, And all the men and women merely players: They have their exits, and their entrances; And one man in his time plays many parts, His acts being seven ages. At first, the infant, Mewling and puking in the nurse's arms...
Side 110 - A quibble is the golden apple for which he will always turn aside from his career, or stoop from his elevation. A quibble poor and barren as it is, gave him such delight, that he was content to purchase it, by the sacrifice of reason, propriety and truth. A quibble was to him the fatal Cleopatra for which he lost the world, and was content to lose it.
Side 103 - Even where the agency is supernatural the dialogue is level with life. Other writers disguise the most natural passions and most frequent incidents; so that he who contemplates them in the book will not know them in the world...
Side 101 - ... always find. His persons act and speak by the influence of those general passions and principles by which all minds are agitated, and the whole system of life is continued in motion. In the writings of other poets a character is too often an individual: in those of Shakespeare it is commonly a species.
Side 121 - perhaps we are not to look for his beginning, like those of other writers, in his least perfect works ; art had so little, and nature so large a share in what he did that for aught I know," says he, " the performances of his youth, as they were the most vigorous, were the best.
Side 106 - If there be, what I believe there is, in every nation, a style which never becomes obsolete, a certain mode of phraseology so consonant and congenial to the analogy and principles of its respective language as to remain settled and unaltered; this style is probably to be sought in the common intercourse of life, among those who speak only to be understood, without ambition of elegance.
Side 109 - ... while, and if it continues stubborn, comprises it in words such as occur, and leaves it to be disentangled and evolved by those who have more leisure to bestow upon it. Not that always where the language is intricate the thought is subtle, or the image always great where the V/V line is bulky ; the equality of words to things is very often neglected, and trivial sentiments and vulgar ideas disappoint the attention, to which they are recommended by sonorous epithets and swelling figures.
Side 112 - Delusion, if delusion be admitted, has no certain limitation; if the spectator can be once persuaded, that his old acquaintance are Alexander and Caesar, that a room illuminated with candles is the plain of Pharsalia, or the bank of Granicus, he is in a state of elevation above the reach of reason, or of truth, and from the heights of empyrean poetry, may despise the circumscriptions of terrestrial nature.