The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 sider |
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Side 9
... speaking.- The experience of centuries , therefore , authorises this assertion , that it is impossible to remedy this defect by the present mode of tuition , and the time and study that a modern education bestows on public speak- ing ...
... speaking.- The experience of centuries , therefore , authorises this assertion , that it is impossible to remedy this defect by the present mode of tuition , and the time and study that a modern education bestows on public speak- ing ...
Side 43
... speaking , from the most deliberate to the most rapid , these relative pro- portions of quantity must be preserved . This is the language of nature , and not the effect of grammatical science . In speaking , there is , or may be a ...
... speaking , from the most deliberate to the most rapid , these relative pro- portions of quantity must be preserved . This is the language of nature , and not the effect of grammatical science . In speaking , there is , or may be a ...
Side 143
... Speaking , has the following most ex- traordinary paragraph : - " But though singing and speaking sounds are thus essentially distinct , it must not be imagined that sing- ing tones are never to be used in speaking . Far from it . The ...
... Speaking , has the following most ex- traordinary paragraph : - " But though singing and speaking sounds are thus essentially distinct , it must not be imagined that sing- ing tones are never to be used in speaking . Far from it . The ...
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The Original Rhythmical Grammar of the English Language: Or, the Art of ... Rev. James Chapman Uten tilgangsbegrensning - 1821 |
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accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words