The Mirror of Taste, and Dramatic Censor, Volum 11810 A drama is appended to each number of v. 1-2 |
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Side 62
... farce , which some austere critics in London have assigned it . Of the performance generally , we repeat that it was good . Young Rapid afforded criticism much satisfaction in the person of Mr. Wood , who in many parts persuaded us that ...
... farce , which some austere critics in London have assigned it . Of the performance generally , we repeat that it was good . Young Rapid afforded criticism much satisfaction in the person of Mr. Wood , who in many parts persuaded us that ...
Side 66
... farce - writers of the day , others again pronounce his comedies to be the best which the age has produced , and say that they will be selected by posterity from the perisha- ble trash of the day . We agree with neither , thinking it ...
... farce - writers of the day , others again pronounce his comedies to be the best which the age has produced , and say that they will be selected by posterity from the perisha- ble trash of the day . We agree with neither , thinking it ...
Side 68
... farce . Scout , from whom it takes its name , is too detestable a picture of human meanness and de- pravity to be fit for farce , the proper effects 68 DRAMATIC CENSOR .
... farce . Scout , from whom it takes its name , is too detestable a picture of human meanness and de- pravity to be fit for farce , the proper effects 68 DRAMATIC CENSOR .
Side 69
pravity to be fit for farce , the proper effects of which , howe- ver nonsensical it may be , ought to be to enliven and not create disgust . We cannot bear to see a respectable actor in it . ' Blisset , a favourite son of Momus ...
pravity to be fit for farce , the proper effects of which , howe- ver nonsensical it may be , ought to be to enliven and not create disgust . We cannot bear to see a respectable actor in it . ' Blisset , a favourite son of Momus ...
Side 74
... farce , and has therefore received it in pages 71 and 72 . sense . THE farce of " False and True " is a wretched thing . To speak Johnsonically it is a congeries of inexplicable non- An Irishman , who , after having committed the very ...
... farce , and has therefore received it in pages 71 and 72 . sense . THE farce of " False and True " is a wretched thing . To speak Johnsonically it is a congeries of inexplicable non- An Irishman , who , after having committed the very ...
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actor admiration Æschylus appeared applause Aristophanes Ashburton audience backsword Barry beauty Betterton Billy Taylor called celebrated character Colley Cibber comedy Cooper Covent Garden critic death delight doctor Johnson duke effect England Euripides excellent fame farce favour favourite feelings Garrick genius gentleman give Hamlet hand head heard heart Hodgkinson honour judgment Julius Cæsar Kemble kind labour lady lived Livius Andronicus Llanymynech London Macbeth Macklin manager Master Payne Menander ment merit mind moral multitude muse nature never night observed occasion opinion Othello Pacuvius passion performance person piece play players poet poetry possessed powers praise racter reader respect says scene seen Shakspeare song soon Sophocles speak spirit stage talents taste theatre thee Thespis thing thought tion tragedy truth virtue voice Voltaire whole words writer young youth
Populære avsnitt
Side 417 - O mighty Caesar ! dost thou lie so low ? Are all thy conquests, glories, triumphs, spoils, Shrunk to this little measure?
Side 390 - Why should a dog, a horse, a rat, have life, And thou no breath at all ? Thou'lt come no more. Never, never, never, never, never ! — Pray you undo this button : thank you, sir. — Do you see this? Look on her, — look, — her lips,— Look there, look there ! — [He dies.
Side 342 - ... twere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure.
Side 389 - Her voice was ever soft, Gentle, and low- an excellent thing in woman.
Side 389 - I'd use them so That heaven's vault should crack. — She's gone for ever. — I know when one is dead, and when one lives; She's dead as earth. — Lend me a looking-glass ; If that her breath will mist or stain the stone. Why, then she lives.
Side 81 - And the heart that is soonest awake to the flowers, Is always the first to be touched by the thorns.
Side 146 - Then, having show'd his wounds, he'd sit him down, And all the live-long day discourse of war. To help my fancy, in the smooth green turf He cut the figures of the marshal! 'd hosts ; Describ'd the motions, and explain'd the use Of the deep column, and the lengthen'd line, The square, the crescent, and the phalanx firm: For all that Saracen or Christian knew Of war's vast art, was to this hermit known.
Side 299 - A fixed figure for the time of scorn To point his slow unmoving finger at ! Yet could I bear that too ; well, very well : But there, where I have garner'd up my heart, Where either I must live, or bear no life...
Side 388 - A play in which the wicked prosper, and the virtuous miscarry, may doubtless be good, because it is a just representation of the common events of human life : but since all reasonable beings naturally love justice, I cannot easily be persuaded, that the observation of justice makes a play worse; or, that if other excellencies are equal, the audience will not always rise better pleased from the final triumph of persecuted virtue.
Side 132 - Pity it is that the momentary beauties, flowing from an harmonious elocution, cannot, like those of poetry, be their own record! — that the animated graces of the player can live no longer than the instant breath and motion that present them, or at best can but faintly glimmer through the memory or imperfect attestation of a few surviving spectators!