The Conditioned Imagination from Shakespeare to ConradHolmes & Meier Publishers, 1978 - 135 sider |
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Shylock and the Conditioned Imagination | 24 |
The Context of Othellos Tragedy | 44 |
The Exocultural Hero of the Enlightenment | 71 |
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Aaron accept African Antonio Aphra Aphra Behn appearance argued argument attitude Barabas barbarous beautiful become black Othello blood Bunter Burns Caliban called captain character characterisation Christ Christian civilisation colour comedy conditioned imagination Conrad crew criticism culture Defoe Defoe's describes Desdemona devil Dover Wilson dramatists Elizabethan audience Elizabethan Drama English Enlightenment Ethiopian Europe European example exo-cultural stereotype F. R. Leavis face fact Faulkner's feeling Friday Gide Grebanier human Iago Ian Watt Ibid implications Indian Jessica Jew of Malta Jewish Joe Christmas Juif kind language Light in August literary literature London lustful Marlowe Marlowe's meaning Melville Melville's Merchant of Venice mercy Moorish moral Narcissus nature Negro Nigger noble Moor novel Oroonoko Othello play Portia's prejudice problem Queequeg realisation recognise represent Ribner Robinson Crusoe savage hero says scene sense sentiments Shakespeare Shylock slave soul speaks speech story symbolic Sypher Tamburlaine Titus Andronicus tradition tragedy tragic usury Wait's words York