Your Speaking VoiceGriffin-Patterson Publishing Company, 1940 - 320 sider |
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Side 164
... lips closed . Feel the nose , lips , and tip of the nose vibrating . Touch the fingers lightly to the bridge of the nose and feel the vibration . [ 2 ] Set the whole mask of the face vibrating on the hummed m - m - m - m , then open the ...
... lips closed . Feel the nose , lips , and tip of the nose vibrating . Touch the fingers lightly to the bridge of the nose and feel the vibration . [ 2 ] Set the whole mask of the face vibrating on the hummed m - m - m - m , then open the ...
Side 203
... LIP FLEXIBILITY The lips must be flexible , relaxed , and active . Sometimes , in the effort to be distinct , learners draw their lips back rigidly from their teeth , in a manner which is not only unaesthetic to see , but inadvisable ...
... LIP FLEXIBILITY The lips must be flexible , relaxed , and active . Sometimes , in the effort to be distinct , learners draw their lips back rigidly from their teeth , in a manner which is not only unaesthetic to see , but inadvisable ...
Side 212
... lips as you pronounce the word , Lilli- putians . ( First , you should look up the pronunciation of the word ; you may be wrong . ) Also study your lips and tongue on will , willingly , William , Llewellen , Lewis , low . THE TWO SOUNDS ...
... lips as you pronounce the word , Lilli- putians . ( First , you should look up the pronunciation of the word ; you may be wrong . ) Also study your lips and tongue on will , willingly , William , Llewellen , Lewis , low . THE TWO SOUNDS ...
Innhold
List of Illustrations | 9 |
Mental Imagery and Voice | 33 |
Emotion and Voice | 43 |
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American Annabel Lee articulation audience beautiful bells blood Blynken body breath Brutus Caesar changes chest dead Dear DEMILLE develop diaphragm ears emotional exercise express eyes factors faults feel flexible force Fredric March FRITZ LEIBER give habit Hamlin Garland hand head hear heart heaven human IAGO JEANETTE MACDONALD Karr larynx letter lips listening live lord MACBETH MALVOLIO meaning mind monotony mouth muscles nasal natural never night NORMA SHEARER OTHELLO pause person phonation phrase physical pitch poem poetry practice pronunciation public speaking radio relaxed resonance rhythm ROBERT BURNS ROMEO sentence Sincerely singing SIR TOBY slides soul sound speaker speaking voice speech stage fright student sweet syllables talk teeth thee thing thistles thou thought tion tone production tongue vibration vocal cords voice quality volume vowels William Jennings Bryan wind words young