Your Speaking VoiceGriffin-Patterson Publishing Company, 1940 - 320 sider |
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Side 120
... relax . This letting down of tensity , this breaking up of vocal strain , is the starting point for all improvement . Little can be done for the voice student until he learns how to relax . The voice will not be forced . It is like a ...
... relax . This letting down of tensity , this breaking up of vocal strain , is the starting point for all improvement . Little can be done for the voice student until he learns how to relax . The voice will not be forced . It is like a ...
Side 122
... relaxing the body . The problem comes in concentrating upon a task , at the same time keeping the muscles relaxed and flexible . But they also know that until they do achieve this harmonious bodily state they must be satisfied to be ...
... relaxing the body . The problem comes in concentrating upon a task , at the same time keeping the muscles relaxed and flexible . But they also know that until they do achieve this harmonious bodily state they must be satisfied to be ...
Side 130
... relaxed . Relaxed to let the breath flow freely between the vocal cords ; relaxed to let the cords vibrate unhampered ; relaxed to let the tone up into the resonating chambers for proper amplification ; relaxed to permit the mouth to ...
... relaxed . Relaxed to let the breath flow freely between the vocal cords ; relaxed to let the cords vibrate unhampered ; relaxed to let the tone up into the resonating chambers for proper amplification ; relaxed to permit the mouth to ...
Innhold
List of Illustrations | 9 |
Mental Imagery and Voice | 33 |
Emotion and Voice | 43 |
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American Annabel Lee articulation audience beautiful bells blood Blynken body breath Brutus Caesar changes chest dead Dear DEMILLE develop diaphragm ears emotional exercise express eyes factors faults feel flexible force Fredric March FRITZ LEIBER give habit Hamlin Garland hand head hear heart heaven human IAGO JEANETTE MACDONALD Karr larynx letter lips listening live lord MACBETH MALVOLIO meaning mind monotony mouth muscles nasal natural never night NORMA SHEARER OTHELLO pause person phonation phrase physical pitch poem poetry practice pronunciation public speaking radio relaxed resonance rhythm ROBERT BURNS ROMEO sentence Sincerely singing SIR TOBY slides soul sound speaker speaking voice speech stage fright student sweet syllables talk teeth thee thing thistles thou thought tion tone production tongue vibration vocal cords voice quality volume vowels William Jennings Bryan wind words young