Your Speaking VoiceGriffin-Patterson Publishing Company, 1940 - 320 sider |
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Side 108
... requires . But it seldom changes abruptly from loud to soft , or vice versa . Changes are made gradually , and by long sweeping gradations . It is sustained force . Its chief use is in poetry , prose poetry , and highly emotionalized ...
... requires . But it seldom changes abruptly from loud to soft , or vice versa . Changes are made gradually , and by long sweeping gradations . It is sustained force . Its chief use is in poetry , prose poetry , and highly emotionalized ...
Side 208
... requiring as it does a great deal of breath , but it is an enormous aid to articulation . A whisper to be meaningful at a distance requires clear - cut enunciation . Imagine some friend across a large hall from you and whis- per to him ...
... requiring as it does a great deal of breath , but it is an enormous aid to articulation . A whisper to be meaningful at a distance requires clear - cut enunciation . Imagine some friend across a large hall from you and whis- per to him ...
Side 232
... requires a voice of more than ordinary expres- siveness . Voice , deprived of physical embodiment , is handi- capped much as pantomime is handicapped through lack of voice . Either requires an artist to get over the complete message ...
... requires a voice of more than ordinary expres- siveness . Voice , deprived of physical embodiment , is handi- capped much as pantomime is handicapped through lack of voice . Either requires an artist to get over the complete message ...
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List of Illustrations | 9 |
Mental Imagery and Voice | 33 |
Emotion and Voice | 43 |
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American Annabel Lee articulation audience beautiful bells blood Blynken body breath Brutus Caesar changes chest dead Dear DEMILLE develop diaphragm ears emotional exercise express eyes factors faults feel flexible force Fredric March FRITZ LEIBER give habit Hamlin Garland hand head hear heart heaven human IAGO JEANETTE MACDONALD Karr larynx letter lips listening live lord MACBETH MALVOLIO meaning mind monotony mouth muscles nasal natural never night NORMA SHEARER OTHELLO pause person phonation phrase physical pitch poem poetry practice pronunciation public speaking radio relaxed resonance rhythm ROBERT BURNS ROMEO sentence Sincerely singing SIR TOBY slides soul sound speaker speaking voice speech stage fright student sweet syllables talk teeth thee thing thistles thou thought tion tone production tongue vibration vocal cords voice quality volume vowels William Jennings Bryan wind words young