Your Speaking VoiceGriffin-Patterson Publishing Company, 1940 - 320 sider |
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Side 180
... RHYTHM IN DRAMA AND ORATORY People in large groups are especially susceptible to rhythm . Experienced orators realize this as well as do playwrights and composers . Part of the tremendous grip of the play " Emperor Jones " comes from ...
... RHYTHM IN DRAMA AND ORATORY People in large groups are especially susceptible to rhythm . Experienced orators realize this as well as do playwrights and composers . Part of the tremendous grip of the play " Emperor Jones " comes from ...
Side 181
... rhythm in conversation or in conversational speaking . In practically all speech there is an underlying rhythm ; otherwise speech would become so halting , or so fast , or so broken as to obscure the meaning . Some rhythm is nearly ...
... rhythm in conversation or in conversational speaking . In practically all speech there is an underlying rhythm ; otherwise speech would become so halting , or so fast , or so broken as to obscure the meaning . Some rhythm is nearly ...
Side 183
... rhythm are appropriate in his own speaking . The following selections offer various types of rhythm for experimentation . + + + SELECTIONS FOR PRACTICE IN THE DISCRIM- INATING USE OF RHYTHM ( Poetry , Oratory , and Prose ) Miss Norma ...
... rhythm are appropriate in his own speaking . The following selections offer various types of rhythm for experimentation . + + + SELECTIONS FOR PRACTICE IN THE DISCRIM- INATING USE OF RHYTHM ( Poetry , Oratory , and Prose ) Miss Norma ...
Innhold
List of Illustrations | 9 |
Mental Imagery and Voice | 33 |
Emotion and Voice | 43 |
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American Annabel Lee articulation audience beautiful bells blood Blynken body breath Brutus Caesar changes chest dead Dear DEMILLE develop diaphragm ears emotional exercise express eyes factors faults feel flexible force Fredric March FRITZ LEIBER give habit Hamlin Garland hand head hear heart heaven human IAGO JEANETTE MACDONALD Karr larynx letter lips listening live lord MACBETH MALVOLIO meaning mind monotony mouth muscles nasal natural never night NORMA SHEARER OTHELLO pause person phonation phrase physical pitch poem poetry practice pronunciation public speaking radio relaxed resonance rhythm ROBERT BURNS ROMEO sentence Sincerely singing SIR TOBY slides soul sound speaker speaking voice speech stage fright student sweet syllables talk teeth thee thing thistles thou thought tion tone production tongue vibration vocal cords voice quality volume vowels William Jennings Bryan wind words young