The Epochs of Painting: A Biographical and Critical Essay on Painting and Painters of All Times and Many PlacesChapman and Hall, 1864 - 583 sider |
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admirable Albert altar-piece ancient Andrea angels Annibale Annibale Carracci Antwerp appears artists Bartolomeo beautiful became Bologna born called Caravaggio Carracci cartoon cathedral celebrated century chapel character Charles chiefly Christ church of San colouring composition copy Correggio death decorations died distinguished Domenichino drawing Dresden Dürer effect Emperor engraved example excellent executed exhibited father figures Florence Florentine Fra Bartolomeo Francesco frescoes Gallery possesses Giorgione Giovanni Giulio Greek Guido imitator Italian Italy landscape Leonardo light and shade Lodovico London Louvre Lucas Madonna Masaccio master Michelangelo Munich Naples National Gallery native original painted painter Palace Paris Parma Paul Paul Veronese period picture Pietro Pittori Pliny Polygnotus Pope portrait portrait-painter principal probably pupil Raphael remarkable Rembrandt represented reputation Roman Rome Royal Academy Rubens Saints says scholar sculptor signed Sistine Chapel studied style taste Tintoretto tion Titian Urbino Vandyck Vasari Vatican Venetian Venice Vinci Virgin visited
Populære avsnitt
Side 215 - He saith unto him the third time, Simon, son of Jonas, lovest thou me? Peter was grieved because he said unto him the third time, Lovest thou me? And he said unto him, Lord, thou knowest all things; thou knowest that I love thee. Jesus saith unto him, Feed my sheep.
Side 217 - Mars' hill, and said, Ye men of Athens, I perceive that in all things ye are too superstitious. For as I passed by, and beheld your devotions, I found an altar with this inscription, TO THE UNKNOWN GOD. Whom therefore ye ignorantly worship, him declare I unto you.
Side 214 - And Simon answering said unto him, Master, we have toiled all the night, and have taken nothing: nevertheless at thy word I will let down the net.
Side 218 - ... feet. But Peter said, Ananias, why hath Satan filled thine heart to lie to the Holy Ghost, and to keep back part of the price of the land? Whiles it remained, was it not thine own? and after it was sold, was it not in thine own power? Why hast thou conceived this thing in thine heart? thou hast not lied unto men, but unto God.
Side 214 - And when they had this done, they inclosed a great multitude of fishes, and their net brake. And they beckoned unto their partners which were in the other ship, that they should come and help them. And they came, and filled both the ships, so that they began to sink. When Simon Peter saw it, he fell down at Jesus' knees, saying, Depart from me, for I am a sinful man, O Lord.
Side 263 - Venetians must be allowed extraordinary skill, yet even that skill, as they have employed it, will but ill correspond with the great style. Their colouring is not only too brilliant, but, I will venture to say, too harmonious, to produce that solidity, steadiness, and simplicity of effect, which heroic subjects require, and which simple or grave colours only can give to a work.
Side 538 - March 19th, 1856, that all pictures, drawings, sketches, finished or unfinished, by the hand of Turner, should belong to the nation, and that all engravings should belong to the next of kin.
Side 82 - But thou, Beth-lehem Ephratah, though thou be little among the thousands of Judah, yet out of thee shall he come forth unto me that is to be ruler in Israel; whose goings forth have been from of old, from everlasting.
Side 216 - Then the priest of Jupiter, which was before their city, brought oxen and garlands unto the gates, and would have done sacrifice with the people.
Side 216 - Which when the apostles, Barnabas and Paul, heard of, they rent their clothes, and ran in among the people, crying out, and saying, Sirs, why do ye these things ? We also are men of like passions with you, and preach unto you that ye should turn from these vanities unto the living God, which made heaven, and earth, and the sea, and all things that are therein...