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the note (in your mind) into two equal beats or "pulses" of time (you can mark them by beating on the table with your hand); and then the words "Trust in the" will go to the first. beat, and "Lord with" to the second. The large dot above the line shows this division. The words "all thine heart" fall easily to their right notes. To the note Sон you will sing the words" and lean not unto thine." "And" is scarcely heard. Dividing Soн, like the other "reciting note" ME, into two beats (and reciting notes of a chant like this may be divided into as many beats as you please), you will have the words "lean not unto" to the first beat, and "thine alone filling the second. The word "own" you perceive is "slurred" on to two

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notes. Take care not to sing the syllables "standing" quickly and sharply. Let them take as much time as the syllables "under" in the same word. The second verse of words, printed underneath, is divided on the same plan as the first. The double bar, you will observe, separates the words of the "reciting note" from those of the "cadence" (as it is called) of the chant. On the upper "staff" you miss the square note for DOH, because the tune begins on ME, and Dон does not occur in the "air." The place of Doн, however, is in the first space, reckoning from the bottom of the staff. On the lower staff it was necessary to make an additional line to carry Soн. This is called a "ledger line."

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LESSONS IN PENMANSHIP.-VI.

IN our last lesson we showed our learners how to make the letters m and n by combinations of the top-turn and the topand-bottom-turn. In the present lesson we set before them five Copy-slips for practice, comprising various combinations of the letters m and n with the letters i, u, t, and 1, which they learned to form from the simple bottom-turn. Doubtless many of those who have been endeavouring to teach themselves the art of Penmanship by the aid of our lessons, are now beginning to see that, after all, it is not such a difficult matter to learn to write, since by learning to form only three strokes of a very simple kind, they have found that they have acquired the power of writing six out of the twenty-six letters that form the alphabet. They will soon see that this is by no means the utmost limit of their progress, when in the course of future lessons they discover how many letters there are into whose composition these three elementary strokes also enter.

In preparing paper for copying all our elementary copy-slips in large text, the learner must not omit to insert the diagonal lines as they appear in Copy-slips Nos. 1 to 6 inclusive, as long as he finds them absolutely necessary for the regulation of the slope of his letters, and to enable him to preserve a proper distance between them. To save trouble in ruling sheet after sheet of paper with horizontal and diagonal lines at the proper distances from each other, and to save expense as well, the learner might rule with a sharp-pointed steel instrument, such as a bradawl, one side of a cheap slate with sets of lines similar to those in our copy-slips, taking care, however, to leave a space of one inch and a quarter between each set, to enable him to add the extra horizontal lines that will be required when he begins to make looped letters, and letters such as p and q, that extend below the lower of the two horizontal lines that contain what we have called the body of the letter. A slate thus prepared will be found useful for acquiring facility in forming the various letters, but the learner must by no means omit to write on paper as well.

D. Gut-er, to or for good;
A. Gut-c, good;

LESSONS IN GERMAN.—V.

SECTION XI.-FORMATION OF ADJECTIVES DENOTING
MATERIAL.

ADJECTIVES denoting the material of which a thing is made
are formed by suffixing to nouns the letters n, en, or ern. Ex.,
Leder, ledern (leather, leathern); Gold, gelten (gold, golden); Blei,
bleiern (lead, leaden), etc. If the root vowel be a, e, or u, it is
frequently changed to its corresponding Umlaut, as: -Glas,
gläsern (glass, made of glass); Holz, hölzern (wood, wooden). (See
Sect. II. 12, ae, etc.)

VOCABULARY.

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Ist nicht ein eisernes Schiff dauerhaft?

Reif, ripe.
Silbern, silver.
Tintenfaß,n.inkstand.
Tisch, m. table.
Tischler, m. joiner.
Better, m. cousin.
Weder-noch, neither

-nor.

Your silver spoon is beautiful,

and my iron knife is heavy. This stone table is heavy.

The life of the child is a golden

dream.

Is not an iron ship durable?
EXERCISE 12.

1. Haben Sie mein reifes Obst? 2. Nein, ich habe Ihr silbernes Obstmesser, und Ihr alter Freund, der Lehrer, hat das reife Obst. 3. Haben Sie meinen filbernen Bleistift? 4. Nein, der gute Lehrer hat ihn. 5. Hat der alte Koch meinen hölzernen Tisch? 6. Nein, der Tischler hat ihn, aber der Koch hat einen marmornen Tisch. 7. Hat er auch ein hölzernes Faß? 8. Ja, und dieser fleißige Schüler hat ein schönes, bleiernes Tinten faß. 9. Hat er auch einen silbernen Becher? 10. Ja, und er hat auch einen kupfernen Kessel und einen eisernen Mörser. 11. Haben Sie das neue Messer meines jungen Freundes? 12. Nein, ich habe ein neues Messer von dem guten Kaufmanne. 13. Hat dieser fleißige Schüler das gute Buch bes alten Freundes, oder den silbernen Bleistift seines guten Vetters ? 14. Er hat weder ein gutes Buch, noch einen silbernen Bleistift—er hat nur einen hölzernen Bleistift. 15. Wo ist der kupferne (Section IX. 2) Kessel des Kochs? 16. Der arme Mann hat nur einen eisernen Kessel.

EXERCISE 13.

1. Has she [ie] my ripe fruit? 2. The old cook has my silver [filbernen] pencil. 3. Has he also a new [neues] knife? 4. The good merchant [Kaufmann] has an [einen] old marble table. 5. He has neither a golden [goldenes] fruit-knife nor a silver [filbernen] cup. 6. Summer [Der Sommer] is a [eine] golden time [3cit]. 7. The diligent joiner has the iron [eifernen] kettle of the cook.

SECTION XII.-THE FEMININE GENDER OF ARTICLES,
NOUNS, ADJECTIVES, ETC.

The articles in the feminine singular are declined thus:

N. tie, the;

(diese) G. ter, of the; (dieser) D. ter, to or for the; (dieser) A. die, the.

(diese)

(meine).
(meiner).

roth-er, to or for red;
roth-e, red.

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I. The personal pronoun Sie (you) is always written with a capital initial, while fic (she or her) is only thus written at the beginning of a sentence. Hence in writing, no ambiguity can arise. Ex., 3ch sche Sie, I see you; ich sche sic, I see her. When Sic is used in the nominative, the form of the verb determines the person. Ex., Sie sehen ihn, you see him; Sie sicht ihn, she sees him. Whether, however, Sic (when in the accusative) stands for you or her, can only be determined by the context. The orthography of the possessive pronouns Ihr (your) and ihr (her) Thus, 3hr Buch ist groß, may signify, your book is large, or her is also identical, and, in speaking, is liable to equal ambiguity. book is large; and, Ich habe ihr Buch, may mean, I have their book, or I have her book. The significations of fie in the

accusative, and of ihr in all the cases, must of course, when spoken, be determined by the connection. (See Declension, Sect. XVII.)

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1. Ist die funge Schwester dieser jungen Dame in Deutschland? 2. Nein, sie ist in Frankreich, aber ihr Bruter ist in America. 3. Wo ist meine neue, goldene Feder? 4. Ihre junge Freundin, Fräulein S., hat sie (Sect. XVII. 3.) 5. Hat Ihre Mutter die schöne Seide Ihrer Tante? 6. Ja, und auch die schöne, feine Leinwand. 7. Wo ist Ihre goldene Brille? 8. 9. Haben Sie eine filberne, oder eine Ich habe keine goldene Brille. (meiner). goldene Uhr? 10. Ich habe eine silberne Uhr. 11. Ift fie eine gute Uhr? 12. Ja, aber sie ist nicht sehr schön. 13. Wo ist Ihre Uhr? 14. Sie ist in meiner Uhrtasche 15. Hat Ihre Schwester eine goldene Uhr? 16. Ja, und sie hat auch eine schöne, goltene Kette. 17. Wo ist meine neue Scheere? 18. Ich habe sie, aber sie ist nicht sehr scharf. 19. Wo ist Ihre Schwester? 20. Sie ist bei der (Sect. XVII. 3.) Mutter in der Bibliothek. 21. Wo ist meine gläserne Lampe? 22. Ich habe sie. 23. Wer hat mein neues Opernglas? 24. Ich habe es und Ihre neue

cine, a; einer, of a; einer, to or for a; eine, a. (meine). The pupil having now had in due course all the forms of the article in the singular, may note, that like tiefer (which differs from the definite article only in having es instead of as in the nom. and acc. neuter, Sect. VII.), are declined all the words in list 2, Sect. IX.; and that like ein, are inflected all those in the list, ein, mein, sein, etc., Sect. X.

Feminine nouns are in the singular indeclinable; as, nom. tie Brille. Seite (the silk); gen. der Seite; dat. ter Seite; acc. die Seite.

The adjective in the feminine singular has two forms. When it stands alone, or unaffected by a preceding word (§ 29), the nominative and accusative end in e, the genitive and dative in er. It is then said to be of

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EXERCISE 15.

1. The mother of this lady is in France. 2. Has the beautiful daughter of the good [ter guten] aunt a golden [goldene] watch? 3. My diligent brother has neither a golden watch nor a good [gutes] opera-glass. 4. My good sister has no [feine] fine linen, but [aber] she has a new [neue] glass lamp. 5. My cousin with [mit] the [ter] golden spectacles is with [bi] my [meinem] beautiful brother in the library.

LESSONS IN ARITHMETIC.-VI. ABRIDGED METHODS OF MULTIPLICATION AND DIVISION. 1. THE methods of multiplication and division explained in the previous lessons are those ordinarily employed; and the learner must make himself perfectly familiar with them before proceeding further.

These processes, however, in particular cases, can often be materially facilitated by various artifices. Some of these shorter methods we subjoin, not only because they are useful in themselves, but because they are valuable as exercises, in explaining the fundamental principles of arithmetic.

2. Any number which is formed by multiplying two or more numbers or factors together is called a composite number.

352

It

has already been explained in a former lesson that the same numbers multiplied together will give the same product, in whatever order the multiplication is effected. Hence, to multiply any number by one which is compositeie., which is composed of several factors-we have only to multiply the number first by one factor, the result by another factor, and so on. Thus, to multiply 352 by 28, since 287 x 4, we can perform the operation as indicated in the margin.

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2464 4

9856 = 23 × 352

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(2.) What will 24 horses cost at 74 crowns apiece. (3.) What will 45 hogsheads of tobacco cost, at 128 crowns a hogshead ?

(4.) What will 54 acres of land cost, at 150 crowns per acre? (5.) At 118 shillings per week, how much will it cost a family to board 49 weeks?

(6.) If a man travel at the rate of 72 miles a day, how far will he travel in 64 days?

(7.) At 163 crowns per ton, how much will 72 tons of lead cost?

(8.) What will 81 pieces of broadcloth cost, at 245 shillings apiece ?

(9.) What will 84 carriages cost, at 384 crowns apiece? (10.) What will a railway 132 miles in length cost, at the rate of £1,960 a mile?

(11.) If I can walk a mile in 16 minutes, how long will it take me to walk 374 miles ?

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(2.) How many acres of land, at 35 crowns an acre, can you buy for 4650 crowns.

(3.) A man divided 837 crowns equally among 27 persons, who belonged to three families, each family containing nine persons: how many crowns did each person receive?

(4.) A man bought a quantity of clover seed amounting to 507 pints, which he wished to divide into parcels containing 64 pints each: how many parcels can he make?

5. Multiplying and dividing by powers of 10, and by numbers ending in any number of ciphers.

The products of two tens, three tens, four tens, etc., are called respectively the second, third, fourth, etc., powers of 10. They are 100, 1000, 10000, etc. Thus, the second power is 1 followed by two ciphers, the third 1 followed by three ciphers, and so on; the number of the ciphers in each case being the same as that of the power.

It has been already explained that to multiply by 10, or any power of 10, we have only to annex to the multiplicand the number of ciphers corresponding to the power. Thus, 345 multiplied by 1000 is 345000.

If any number of the right-hand figures in the multiplier be ciphers-as, for instance, in 75000-then, as we have already seen in Lesson IV., Art. 5, we need only multiply the multiplicand by 75, and annex to the product the same number of ciphers, in

this case three.

EXERCISE 12

(1.) Work the following examples in multiplication:

1. 153486 × 10000.
2. 3120467 × 100000.

3. 52690078 × 1000000.
4. 689063157 x 10000000.
5. 4946030506 x 100000000.

6. 87831206507 × 1000000000. 7. 67856005109 x 10000000000. 8. 14376 x 25000. 9. 350634 x 410000. 10. 4630425 × 6200000.

11. 2370000 × 52.
12. 48120000 × 48.
13. 356300000 × 74.
14. 1623000000 × 89.
15. 540000 × 700.

16. 1563800 × 20000.
17. 31230000 x 120000.
18. 5310200 x 3400000.
19. 82065000 x 8100000.
20. 210909000 x 5100000.

(2.) What will 10 boxes of lemons cost, at 63 shillings per box?

(3.) How many bushels of corn will 465 acres of land produce, at 100 bushels per acre?

(4.) Allowing 365 days for a year, how many days are there in 1000 years?

(5.) How much will 50 hogs weigh, at 375 pounds apiece? (6.) If 1 barrel of flour weighs 192 pounds, how much will 500 barrels weigh?

LESSONS IN GEOMETRY.—III. INSTRUMENTS USED IN PRACTICAL GEOMETRY. IN the operations of practical geometry, a case of mathematical instruments must be considered as an essential requisite. These instruments vary in number and quality, according to their price. Some are made of wood, bone, and ivory-as rulers and scales; others are made of brass and steel, German

silver, and other compound metals, such as compasses, drawing pens, and protractors. We shall proceed to describe the most useful, and afterwards to show their application.

The Common Ruler or Straight-edge. This instrument generally consists of the bevelled edge of the plane or diagonal scale, of the common Gunter's scale, of an ordinary foot rule, or of a plain flat rule made with a fine straight edge, for the sole purpose of drawing straight lines from one point to another, or through any two points. It is sometimes made in the form of a right-angled triangle (Fig. 1), with a similar edge, to serve the various purposes of drawing straight lines, perpendiculars, rightangled triangles, and parallel straight lines. In the mechanical arts, a straight line is most readily obFig. 1. tained by fixing a well-chalked string firmly at both ends over the place where it is wanted, on a board or stone, raising it, when tense (i.e., stretched), above the same, and then letting it drop suddenly, when the white or chalky trace of the string will be marked on the board or stone as a straight line.

The Parallel Ruler.-This very useful instrument is constructed in a variety of forms. Those represented in Figs. 2, 3, and 4, are the most common, and the cheapest. The defect of the construction in Fig. 2 is, that in drawing a parallel to a straight line through a given point, if the latter be at a considerable distance from the former, the ruler may, from its

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lateral motion, pass the point altogether, and render the problem nugatory. This defect is obviated by the construction in Figs. 3 and 4, provided they be properly managed; but this management is the result of a little practice.

The triangular ruler represented in Fig. 1 being made to slide against a fixed ruler or straight-edge, as represented in Fig. 5, is frequently employed for the purpose of drawing parallel straight lines. In many cases this apparatus will be found even more handy for this purpose than the parallel rulers represented above. Fig. 5 represents the same triangle in two different positions, and not two separate triangles.

In order to test the accuracy of a ruler, let it be applied to one eye, and viewed along its edge from one end to the other; the slightest departure from the straight line will then become visible. A good ruler, besides having a straight edge, must be perfectly flat and even, flexible, and made of wellseasoned wood. Some are made of ivory, bone, and metal; these are less liable to be affected by changes in temperature, or by the humidity of the atmosphere. Parallel straight lines are most easily drawn by artists and mechanics, with an F or a T square, of which the form is distinctly noted by the name.

Fig. 5.

The Compasses.-Of compasses there are several kinds. This instrument, which usually consists of two equal legs jointed at one extremity, is employed for measuring the lengths of straight lines, measuring and laying off distances, and describing circles or arcs of circles in general. The Dividers, or compasses with dry points, represented in Fig. 6, are chiefly used for dividing straight lines into equal parts, or into parts having any other proportion to each other. The best kind are furnished with a turnscrew for tightening the screw-axle at the joint. Others

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Fig. 7.

pencil, or in mere trace. The tracingpoint in Fig. 7 is furnished with a joint and a screw, in order to keep it perpenFig. 6. dicular to the paper when the legs are stretched to a great length. The ink-point, represented in Fig. 8, is furnished with a screw, to admit more or less ink at pleasure, with a joint for the same purpose as the tracer, and with a joint in one of the leaves of the point to admit of its being cleaned. The pencil or crayon-point, represented in Fig. 9, is furnished with a joint for keeping the pencil or crayon perpendicular to the paper, and a socket or case for holding it. The socket compasses are also furnished with a lengthening bar, represented in Fig. 10, which is furnished with a socket exactly the same as that of the leg, in order to admit of the description, that is, the drawing of larger circles than those which can be drawn only by the use of the movable points and legs of the compasses.

The Bow Compasses, so called because in their first construction they could be shut up into a hoop, which served as a handle to them; or the Plug Compasses, represented in Fig. 11, and so called because the stationary leg screws out and in like a plug, are only used for describing circles of a very small size. Such compasses are of the greatest utility to draughts- Fig. 11. men and engineers in drawing their plans. The plug construction seems to present some advantages over the old bows.

Fig. 12.

Beam Compasses are employed for describing circles of very large radius, and such as are far beyond the reach of a case of mathematical instruments. They consist of a long beam or bar, carrying two brass cursors, that is, pieces on which it runs. One of these is fixed at one end, and the other slides along the beam, and is furnished with a screw to fix it at any required distance. To the cursors may be screwed points of any kind, whether steel tracers, pencils, or crayons, or ink points. This apparatus is represented in Fig. 12. To the fixed cursor there is sometimes applied an adjusting or micrometer screw, as seen in the figure, to enable a given distance or radius to be taken with the greatest nicety.

In a case of mathematical instruments are also contained a Tracer and Drawing Pen, for drawing straight lines in trace, or in ink. These two are usually joined in one instrument, the tracing point being screwed into the drawing pen; this instrument is represented in Fig. 13, where the ink-point is constructed exactly on the same principle as that of the socket compasses. In choosing a drawing pen, it is better to select one which has an ink-point made of German silver. The steel ink-points are apt to get rusty if they are not kept carefully wiped, and lines Fig. 13. drawn in red ink with a steel-pointed drawing pen soon get discoloured, owing to the action of the ink on the metal while in the pen.

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ANIMAL PHYSIOLOGY.—III.

THE EYE (concluded).

THE eyes of the animals lower than fish, none of which have a backbone, and which are called invertebrate animals, are closely related to their powers of moving from place to place. If an animal can dart rapidly about, more especially if it can move swiftly for some time at a stretch, its eyes are usually very perfect; but if it can only crawl sluggishly, its eyes are of an inferior structure.

If we omit those lowest of all animals, which Cuvier classed together as radiate, because their parts were disposed like the spokes of a wheel, the rest are divided into two great subkingdoms. The type of the one, called mollusca, is the snail; and of the other, named articulata, the honey-bee is the repre

sentative.

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In accordance

V.

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outside. The rest of the slugs and snails, which creep on their bellies, have eyes somewhat similar, and similarly situated; but while the garden-snail has four horns, some water-snails have only two, and the eyes are placed on the outside of these, halfway up, while the whip-like extremities act as feelers, as the short horns of the garden-snail do. The lower orders of the mollusca, such as the oyster, etc., have eyes inferior even to these, though they are sometimes numerous and curiously placed; thus, the kind of oyster which occupies the fan-shell, and is called a pecten, has a row of eyes running round the edge of the two sides of the animal's cloak, which lines the two shells that enclose it.

The highest class of mollusca have greater power of motion than any of the rest, and swim rapidly through the sea, both backwards and forwards, seizing their prey with long, whip-like arms: and these creatures have large and elaborate eyes, not unlike those of animals, but even more complex in some respects; for there is not only a thin retina to receive the light, backed, as the retina always is, by a black membrane, but behind this choroid is another expanded retina, as though this had some other office

I.

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II.

IV.

with what has I. VERTICAL SECTION OF THE EYE OF AN INSECT. II. THE LENSES AND CONES ENLARGED. been written, the

eye of the garden

snail is evidently

than to receive impressions. Perhaps some process ana

logous to the development of the image in the dark room of the photographer is ef fected in this sin gularly situated The crea

organ.

ture whose large have just

eyes

now been mentioned has been introduced as & prominent character in Victor Hugo's "Toilers of the Sea," and the description is probably about as faithful as the description of brigands and other horrors described by novelists usually are. III. . Turning now to

FRONT OF HEAD OF DRAGON-FLY, SHOWING THE POSITION OF THE COMPOUND EYES. IV. FRONT the articulate sub.
OF HEAD OF WASP, SHOWING THREE SIMPLE AND TWO COMPOUND EYES, V. SIDE OF CATER-
PILLAR'S HEAD, WITH THREE EYES.

an organ not at Ref. to Nos. in Figs. I., II.-1, surface lens; 1', layer of paint (iris); 2, cone, vitreous humour;
3, special optic nerve; 4, common pigment; 5, common retina; 6, secondary optic nerves;
7, main nerve.

all comparable to
eyes we have de-
scribed as those of
the higher classes. This eye is situated at the end of the longer
and upper pair of horns, and is only exposed when these are at
their longest.
Even when so exposed its sense of sight is so
obtuse that it seems only conscious of light and darkness, as our
skin makes us conscious of heat and cold, and has no knowledge
of images. The organ seems little better than a refined organ of
touch, for garden-snails will withdraw their eyes far sooner if
blown upon, or the hand be placed between them and the light,
than when threatened by the fingers. Nevertheless, the eye
has a spherical lens, sclerotic, choroid, and retina, but all of
very simple structure. The most remarkable circumstance con-
nected with this eye is that it can be retracted by drawing
it down through the tubular horn, as one might draw the end of
the finger of a glove down through the rest of the finger; and
this is done by a special muscle, which is a slip of the great
muscular band, with which the snail draws in, not only its horns,
but its whole head, strongly though slowly.

The eye is exposed by a successive contraction of the circular muscles which are round the horn, beginning at the base and ending at the top; this action has the same effect on the parts of the tube, and finally upon the eye, as driving a coin into the end of an old-fashioned purse by the aid of a ring which slides on the

VOL. I.

kingdom, we find in it eyes of the most remarkable description. They are best explained by the diagram.

If we examine the head of a wasp or bee, we find on the top of the head, looking towards the sky, three eyes set in a triangle. These eyes are simple, and not unlike the eyes of other creatures; but besides these, on the side of the head, stretching almost from its crown to the jaws beneath, are two compound eyes, which, under the microscope, are seen to present innumerable six-sided spaces, which look like the ends of the cells of a honeycomb. On dissection, each of these sixsided faces is found to be the outer surface of a double convex lens, behind which is a layer of black paint, which is comparatively thick at the edges of the lens, but thin towards the centre, where a hole is left through its middle. This hole is the pupil. Behind the pigment is a cone of transparent matter, whose point is directed inwards, and embracing this point is the end of a nerve thread. The threads from each eyelet run inwards to a sheet of nervous matter common to the whole eye, and from this sheet other nerve cords, but much fewer in number than the first, run to the main thick optic nerve. The space between the nerve cords is filled up with black paint, so that each can only receive impressions from its end. An insect, therefore, one would think, receives thousands of distinct pictures; but whether it so harmonises them in its common

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