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The Poetical Works of John Dryden: Containing Original Poems, Tales, and ...
Uten tilgangsbegrensning - 1867
againſt appear becauſe beſt better bring called cauſe character Charles Church common court death DERRICK deſign Dryden Duke Earl edition Engliſh excellence eyes fall fame fate father fear fight fire firſt foes force fortune friends give given hand heaven himſelf hope John WARTON juſt kind king knew known land laſt laws learning leave leſs light lines live Lord means mind moſt muſt nature never once Original perhaps perſon play pleaſe plot poem poet poetry praiſe prince prove reaſon reign religion reſt royal ſaid ſame ſays ſecond ſee ſeems ſenſe ſeveral ſhall ſhould ſome ſtand ſtate ſtill ſubjects ſuch theſe things thoſe thou thought tion TODD tranſlation true uſe verſe virtue WARTON whole whoſe wind write written
Side lxxxv - From harmony, from heavenly harmony, This universal frame began : When Nature underneath a heap of jarring atoms lay, And could not heave her head, The tuneful voice was heard from high. Arise ye more than dead. Then cold and hot, and moist and dry, In order to their stations leap, And music's power obey. From harmony, from heavenly harmony, This universal frame began : From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in man.
Side 221 - Refuse his age the needful hours of rest? Punish a body which he could not please, Bankrupt of life, yet prodigal of ease? And all to leave what with his toil he won To that unfeathered two-legged thing, a son, Got, while his soul did huddled notions try, And born a shapeless lump, like anarchy.
Side 212 - Of men by laws less circumscribed and bound, They led their wild desires to woods and caves And thought that all but savages were slaves.
Side 240 - In the worst inn's worst room, with mat half-hung, The floors of plaster, and the walls of dung, On once a flock-bed, but repair'd with straw, With tape-tied curtains, never meant to draw, The George and Garter dangling from that bed Where tawdry yellow strove with dirty red, Great Villiers lies — alas!
Side xcvii - Works of imagination excel by their allurement and delight ; by their power of attracting and detaining the attention. That book is good in vain, which the reader throws away. He only is the master, who keeps the mind in pleasing captivity...
Side xc - Proffering the Hind to wait her half the way: That, since the sky was clear, an hour of talk Might help her to beguile the tedious walk. With much good-will the motion was embrac'd...
Side 298 - Doeg, though without knowing how or why, Made still a blundering kind of melody; Spurred boldly on, and dashed through thick and thin Through sense and nonsense, never out nor in: Free from all meaning, whether good or bad, And, in one word, heroically mad, He was too warm on picking-work to dwell, But faggoted his notions as they fell, And, if they rhymed and rattled, all was well.
Side 302 - But of King David's foes, be this the doom, May all be like the young man Absalom ; And, for my foes, may this their blessing be, To talk like Doeg, and to write like thee...
Side 262 - To learning and to loyalty were bred : For colleges on bounteous kings depend, And never rebel was to arts a friend.
Side lxv - They have not the formality of a settled style, in which the first half of the sentence betrays the other. The clauses are never balanced, nor the periods modelled: every word seems to drop by chance, though it falls into its proper place. Nothing is cold or languid; the whole is airy, animated, and vigorous; what is little, is gay; what is great, is splendid.