The Erotic Dream Machine: Interviews with Alain Robbe-Grillet on His FilmsSouthern Illinois University Press, 1992 - 190 sider In this revealing series of interviews with Alain Robbe-Grillet, Anthony N. Fragola and Roch C. Smith provide an intimate, perceptive profile of the artist. Known primarily as a writer whose experimental novels have had a major influence on the writing of fiction in the twentieth century, Robbe-Grillet is also a highly acclaimed filmmaker whose works include Last Year at Marienbad, L'Immortelle, Trans-Europ-Express, and The Progressive Slidings of Pleasure. Robbe-Grillet is a visionary who seeks to discover unfamiliar ways of seeing and interpreting. His films, like his novels, challenge the limits of expected narrative structures and question the comfortable assumptions of conventional realism. In the interviews, conducted from 1982 until 1991, Fragola and Smith examine all nine of the films that Robbe-Grillet has created, specifically exploring the cultural milieu to which they are so closely and problematically related. This is the first such work in which Robbe-Grillet comprehensively discusses his views on aesthetics, philosophy, sociology, and literature as well as on filmmaking. The reader is encouraged to view him from a variety of perspectives: as the auteur who probes various stylistic techniques and devices, especially the use of eroticism as a structural metaphor; as the international artist who discusses the complex structures, allusions, and thematic intentions that occur in his films; as the detached observer exploring his own use of stereotypes and myths; and as the impassioned creator who defends and explains his position concerning the controversial depiction of sado-eroticism in his films. This book conveys a wide awareness and keen appreciation of Robbe-Grillet'sfilms, especially to American audiences where they are least known. Certain to be a lasting tribute to Robbe-Grillet's cinematic work, it will encourage informed discussion among students and scholars. The book includes a gallery of illustrations from Robbe-Grillet's films as well as a filmography and bibliography of his work and works about him. |
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Side 62
... paintings . They are scenes from life , compositions in which he mixes human figures , pieces of metal , doors , and similar items . Here then is an evident reference to techniques that exist in painting today , ever since Duchamp ...
... paintings . They are scenes from life , compositions in which he mixes human figures , pieces of metal , doors , and similar items . Here then is an evident reference to techniques that exist in painting today , ever since Duchamp ...
Side 105
... paintings are remarkably flat . Even when Magritte paints something that is supposed to have depth to it , the painting looks amazingly flat . Now , from the point of view of the image , if you compare La Belle Captive to Eden and After ...
... paintings are remarkably flat . Even when Magritte paints something that is supposed to have depth to it , the painting looks amazingly flat . Now , from the point of view of the image , if you compare La Belle Captive to Eden and After ...
Side 145
... painting to begin to paint . Without going quite that far , we can say that a person who is enthusiastic about film is a person who has a cinematographic past , who has seen films and has become fascinated by films . Consequently , it ...
... painting to begin to paint . Without going quite that far , we can say that a person who is enthusiastic about film is a person who has a cinematographic past , who has seen films and has become fascinated by films . Consequently , it ...
Innhold
Introduction | 1 |
TransEuropExpress | 34 |
The Man Who Lies | 41 |
Opphavsrett | |
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The Erotic Dream Machine: Interviews with Alain Robbe-Grillet on His Films Anthony N. Fragola,Roch Charles Smith Ingen forhåndsvisning tilgjengelig - 1992 |
Vanlige uttrykk og setninger
actor actress Alain Resnais Alain Robbe-Grillet Alice allusions American Angélique Anicée Alvina Anthony Fragola AR-G Argos Films audience Belle Captive Boris Buñuel Cahiers du Cinéma camera Catherine Jourdan Catherine Robbe-Grillet character cinema cinematographer collaboration color completely creative critics Cyrielle Claire Delphine Seyrig director dream Duchamp editing Eisenstein erotic example fact Fano filmmaker France French Grillet Grove Press idea interesting intertextual Jean Jean Ricardou Jean-Louis Jean-Louis Trintignant L'Immortelle Lies Magritte Marcel Duchamp Marie-Ange Marienbad meaning Minuit montage narration narrative Noiret novel objects Opera painting Palais Garnier Paris particular Playing With Fire possible producer Progressive Slidings question rape realism reality relationship Resnais Robbe Robbe-Grillet's films Roch Smith role scene seems sequence sexual Slidings of Pleasure someone sound soundtrack spectator stereotypes story structure surrealism surrealist television theme tion Took the Dice Trans-Europ-Express Trintignant Union Générale d'Editions viewer wanted women wrote York young woman