4. Harmonize the following Melody, making free use of passing notes and discords::

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EXAMINATION FOR THE DEGREE OF BACHELOR OF MUSIC AND DIPLOMA OF MUSICAL ASSOCIATE.

FORM.

FIRST YEAR.

SECOND PAPER.

Professor Marshall-Hall.

FOR PASS AND HONOUR CANDIDATES.

1. Write a short essay upon Beethoven's conception of Primary, Binary, and Rondo Forms, as exemplified in the first ten of his Pianoforte Sonatas. Compare these critically with one another, and point out where and how some of them present a far more complex development than others. Shew moreover that this complexity in outward form is the outcome of emotions rather than ideas. Use copious quotations to exemplify your argument.

2. Analyze briefly the 1st movement of Schubert's Symphony in B minor. Comment on Schubert's conception of Form as embodied in this work.

EXAMINATION FOR THE DIPLOMA OF MUSICAL ASSOCIATE.

FORM.

SECOND YEAR.

SECOND PAPER.

Professor Marshall-Hall.

1. Write a concise essay upon the evolution of Form in the works of Beethoven as shewn in his earliest sonatas and symphonies, down to his last symphony and quartett in C# minor. Exemplify by reference to his various works, and touch on the following points:-Character of subjects, episodes, mode of development, connection of

movements.

2. Compare Wagner's conception of Dramatic Form in The Flying Dutchman, Lohengrin, Tannhäuser, Walküre. In the course of your remarks point out striking similarities and distinctions between these works and the 2nd Act of Beethoven's Fidelio, and Fidelio, and Weber's Der Freischütz, as regards emotional sequence.

JURISPRUDENCE.

The Board of Examiners.

Candidates must not answer more than SEVEN
questions.

1. What in early systems is the connection between Religion and Law?

2. Give a short history of liability for wrong.

3. Sketch the development of the doctrine of Consideration in the English Law.

4. Consider the terms Offence, Duty, and Right with reference to their importance at various stages in the development of law.

5. Consider, historically, the transfer of rights.

6. Account for the reference of certain classes of obligations to quasi-contract. What are the principal obligations attributed to this source?

7. In what sense do we speak of the ownership of jura in re aliena, inventions, and copyright?

8. Classify Absolute Duties.

9. Account for the prominence of Status in immature systems of law.

10. What devices are adopted in early law to induce the submission of disputes to the tribunals?